G
GTRTony
New member
-Echo Audiofire 8 (has two built-in pre's)
-Samson S-Phone headphone manifold
-RNP
-Universal Audio Solo 110
-Presonus BlueTube (never use the tube)
-ART DPS II (into the digital input on the Echo, which gives me 10 tracks at once into Logic)
-Shure PG-52
-SM 57 (3)
-SM 58 (3)
-MXL 2003 (2)
-MXK 602s (2)
-Cascade Fat Head
-Samson CL-8 (2)
-Realistic PZM
-Samson Q-Tom
-Logic Pro 9
-MacBook Pro
-'Monitors': Yamaha NS-A 635A speakers through a Pioneer SX-737
I started with the SM57 into a Yamaha tape 4-track. Then I got some 2 channel USB box thing and picked up the MXL 2003. I have steadily built up the rest over the years. The original goal was to be able to close mic my drums but it's sort of ballooned from there as I now record my and my friends' bands too. I keep the Echo, S-Phone and DPS-II in a 6-space rack box and it's pretty mobile...which is good because I have to go to practice spaces and houses to get good rooms to record in.
I have a good friend who has a Digi 002 and a second Fat Head and good mics/pres. I I borrow his RNP to use two on projects where I need 10 mics at once. We combine forces on some projects or borrow each others' gear when needed. It works out really well because is good to have a second engineer/set of ears on a lot of projects.
-Samson S-Phone headphone manifold
-RNP
-Universal Audio Solo 110
-Presonus BlueTube (never use the tube)
-ART DPS II (into the digital input on the Echo, which gives me 10 tracks at once into Logic)
-Shure PG-52
-SM 57 (3)
-SM 58 (3)
-MXL 2003 (2)
-MXK 602s (2)
-Cascade Fat Head
-Samson CL-8 (2)
-Realistic PZM
-Samson Q-Tom
-Logic Pro 9
-MacBook Pro
-'Monitors': Yamaha NS-A 635A speakers through a Pioneer SX-737
I started with the SM57 into a Yamaha tape 4-track. Then I got some 2 channel USB box thing and picked up the MXL 2003. I have steadily built up the rest over the years. The original goal was to be able to close mic my drums but it's sort of ballooned from there as I now record my and my friends' bands too. I keep the Echo, S-Phone and DPS-II in a 6-space rack box and it's pretty mobile...which is good because I have to go to practice spaces and houses to get good rooms to record in.
I have a good friend who has a Digi 002 and a second Fat Head and good mics/pres. I I borrow his RNP to use two on projects where I need 10 mics at once. We combine forces on some projects or borrow each others' gear when needed. It works out really well because is good to have a second engineer/set of ears on a lot of projects.
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