
dobro
Well-known member
jonesie said this: "The universal corporate pirates all have their fingers in the pie
and, it seems to me, to have an effect on new music that we hear and, more
importantly, do not hear. While, underneath it all is the subculture of listeners and
players that - the biggies do not want to recognise because they have not figured
a way to profit from it, yet."
When he posted it, my feeling was: "Gee, I hope it continues like this. I'd rather be part of a subculture that escaped the notice of those dinosaurs." I'd like to see musicians and writers getting paid for their work outside the established and traditional channels. I've been reading an old Fritjoff Capra book, The Turning Point, and he talks about those big cultural transitions where traditional approaches don't work anymore - they're too big, too inflexible, too obsessed with maintaining their position - while at the same time new, small operations are coming up with innovative answers to the new challenges. I'd like to get money for what I'm doing musically (it would pay for some of this gear, for a start), but given the choice, I'd like to avoid the Biggies if I could. But talk about a temptation, if one of the Biggies offered one of us a recording contract - you probably wouldn't make any money, but what a distribution machine!
By the way, have you noticed that Paul Simon's got four songs off his new album up on mp3.com? About $900 in playback earnings last time I checked. Mp3.com just went mainstream.
and, it seems to me, to have an effect on new music that we hear and, more
importantly, do not hear. While, underneath it all is the subculture of listeners and
players that - the biggies do not want to recognise because they have not figured
a way to profit from it, yet."
When he posted it, my feeling was: "Gee, I hope it continues like this. I'd rather be part of a subculture that escaped the notice of those dinosaurs." I'd like to see musicians and writers getting paid for their work outside the established and traditional channels. I've been reading an old Fritjoff Capra book, The Turning Point, and he talks about those big cultural transitions where traditional approaches don't work anymore - they're too big, too inflexible, too obsessed with maintaining their position - while at the same time new, small operations are coming up with innovative answers to the new challenges. I'd like to get money for what I'm doing musically (it would pay for some of this gear, for a start), but given the choice, I'd like to avoid the Biggies if I could. But talk about a temptation, if one of the Biggies offered one of us a recording contract - you probably wouldn't make any money, but what a distribution machine!
By the way, have you noticed that Paul Simon's got four songs off his new album up on mp3.com? About $900 in playback earnings last time I checked. Mp3.com just went mainstream.
