Define "Oversized" drums. Large diameter drums do not close mic very well. If I were shooting for the modern "radio friendly" drum sound, I would either get a v-drum kit and just use their sounds, or I'd get the following sizes:
depth X diameter (because I'm "Old School" and that was how it was written up until the 90's

)
Kick 16" x 20"
Snare 5" x 14"
Tom 1 * x 10"
Tom 2 * x 12"
Tom 3 * x 14"
Tom 4 * x 16"
(* being whatever depth you like - personally, I'd go with shorter toms because they have more of a defined pitch because the shallower shell allows the drum to react faster.)
These sizes will close mic extremely well.
If I were after a big "bombastic" natural drumsound such as Bonham, or Cozy Powell (Rainbow) I'd go with bigger drums and just use kick, snare, and overhead mics, but I'd definitely use a Kickdrum tunnel on the kick to help catch maore of its "punch" in the mic.)
Having repaired and built drums over the last 19 years - I really don't put a whole lot of emphasis on shell material, but that's just me. I prefer Maple over Birch, anbd to some degree prefer the brightness of metal or acrylic shells to wood. So, to compensate - when I built my own kit, I sanded & coated the inside of the shells so they would be really bright and have a lot of attack to them. Maple is a bit brighter than Birch, while Birch has a more "equalized" sound (or so they claim) - personally, I think Birch just sounds more dull than Maple.
I'd take the 2002's, but I'm a Paiste man.

I don't see a whole lot of difference between the Sabian AA's and the Zildjian A's other than price - they are both made by members of the Zildjian family using the exact same bronze formula.
Tim