
leddy
Well-known member
Another trick is to double the track, and use a compressor to smash the double. Really slam it. Then mix the smashed track back in with the original un-compressed/un-limited track.
A book that will be of great use to you in this process is Bob Katz's "Mastering Audio". Worth every penny.
+1
Bob explains this technique very well in the book. If you think of compression lowering the peaks, think of this as upward expansion raising the more quiet passages. It is a way to "compress" without doing as much damage. Transients are more preserved, etc.