Vox upgrade

  • Thread starter Thread starter pdadda
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pdadda

pdadda

Captain Sea Boots
Hey folks. I have currently been recording vocals using a Behringer B1 mic into either the pre's on a Mackie SR24-4 or a SP VTB-1 into the A/D converters on a MOTU828mkii. I used to think it sounded great, but have become less satisfied with it the more I train my ears.
Here's my question? For ~$300, what do you think would be my best choice for upgrading? You can listen to some audio clips at my website(http://www.weapons-of-mass-distraction.com/Media.htm), but those vocals aren't really my main style. I typically sing a bit more along the style of Jeff Buckley.
What would you recommend? Compressor? Better mic? Obviously several things could help, but I only have the $ for one upgrade right now.
 
I love the sound of your guitars.

Your voice could use a little more midrange engery ... and some compression could always help. As for vox mics, maybe a Shure condenser or an Audio Technica.

I dunno. It's not like I totally hate your vocal sound. Your room doesn't particularly suck, either. This might just be a case where you need to brush up on your mixing; compression and EQ to help your voice poke out a little more.

Again ... love those guitar tones you got there. I wouldn't panic. This stuff sounds fine for what it is.

So I take it your bassist was on vacation when you tracked? Kidnapped? Sorry to hear about that. :D Send my condolences to his family. He was a good man, and will be sorely missed. Man, I sure hate it when perfectly good bassists suddenly just disappear on ya like that.
 
I would like to hear your vocal out front more. I think a Blue Baby Bottle ($500) would help do this for you. It's a condensor with a midrange focus that would likely put your vocals in front of the guitars while keeping your voice warm and in-your-face (which the vocals seem to lack now).

I know this may be out of your price range but might be worth saving for (I bought a MXLV67 thinking it was the answer for my own voice & within a month of that made the stretch for a Baby Bottle due to the lack of detail in the V67).

If the money is out of the question then I'd track the vocals with more dynamics on a SM58/57 or equivalent.
 
The behringer B1 is an incredible step up from the sm 57 or 58 in my opinion... I recorded on both those mics for like 3 years when I was starting out and the detail alone on the behringer is better... if you aren't getting a good sound with the behringer it might be something about technique... but definately don't step down to a cheap dynamic.
 
Cool songs.

Good sound overall. I agree with what Chess said. The thing that stuck out to me was that your vocals needed some compression. I actually thought they were the right level in the mix, but a little well used compression would help with presence.

The other thing I noticed was that there was a lot of room sound in the drums. This is probably personal perference, but I would maybe do a little more close micing on the drums.

And now for an obscure reference to the pictures on your site: As Starflyer 59 would say, "Play the 'C' Chord."
 
I think you should look into the M179 by CAD, Audio Technica 4033 or 4040, and I concurt that the drums need a little compression or maybe eq to brighten 'em up a bit. Nice stuff! Save up for an RNC too, it would love your voice
 
I picked up an AKG C2000B on ebay and it works with my voice very well. I never had a mic that worked on my voice until this one. It really is a trial and error process.

Bob
 
Thanks for the feedback so far. If anyone is interested, here's how everything else was recorded:

Guitars: Sennheiser e609 on either a Fender Princeton Chrous (guitar=Fender '72 Tele Deluxe RI) or a Crate XT120R (guitar=Ibanez 2005 S470DXQM). All distortion and chorus is from the amps.

Drums: OH's=recorderman method with 2 SM57's.
Kick= Behringer B1
We set up a kinda funky barrier around the Kick mic with drum cases. You can see it in the pics under the recording section.
 
Nice job

pdadda said:
Hey folks. I have currently been recording vocals using a Behringer B1 mic into either the pre's on a Mackie SR24-4 or a SP VTB-1 into the A/D converters on a MOTU828mkii. I used to think it sounded great, but have become less satisfied with it the more I train my ears.
Here's my question? For ~$300, what do you think would be my best choice for upgrading? You can listen to some audio clips at my website(http://www.weapons-of-mass-distraction.com/Media.htm), but those vocals aren't really my main style. I typically sing a bit more along the style of Jeff Buckley.
What would you recommend? Compressor? Better mic? Obviously several things could help, but I only have the $ for one upgrade right now.

I only had enough time to listen to your first track, but it sounded pretty damn good... must be the mojo from the checkered sneakers! ;)

Seriously - what don't you like about the way your vocal sounds? With a bit more insight, it would be easier to steer you in the direction you seek.
 
They just seem a little thin to me. A bit harsh too. I'm hoping that's not just the way I song.
 
pdadda said:
They just seem a little thin to me. A bit harsh too. I'm hoping that's not just the way I song.


I think you're being to critical. They are decent recordings. Your best mix was Nobody. At least to me that is and I'm a fussy person. That Behringer B1 sounded better than I would have expected from a Behringer product.

Your other three songs, the vocals were a bit buried, which is common today.
And maybe on the last one, Fallen, the guitars were a little harsh when you really pounded them. That competes with the vocals.

Your getting a workable high quality sound right now. Maybe it's that MOTU helping out alot. I wouldn't waste tons of money trying to find the end of the rainbow. What you've got right now is very workable in my book. I believe what you need to focus on more is the mix to balance out your tracks.

I have messed with this stuff for a while and never got good recordings like that early on so it pissed me off. Now they are respectable. You don't have worry much. Get your mixing skills honed.

Bob
 
Always a smart idea to try out your SM57 too.

What kind of parametric EQ are you using?

That'd be very helpful in tone shaping...

Chris
 
The only parametric EQ I have used is a plug-in that came bundled with Tracktion. Other than that, I have the EQ on the board.
After all the comments, I am questioning whether something strictly for vocals is my next move. I think I am leaning towards getting a RNC. But I definitely agree that I need to spend a lot of time improving my mixing skills.
I have come to the point where I don't like to buy something new until I find that some part of my gear is for sure the weakest link, not my own abilities. Although it's still always fun to buy new crap.
 
From what I heard you should concentrate on your mixing skills the most.

You have writing talent and the enthusiam of youth going for you.

I am only going to make one suggestion - try getting a good vocal coach to help you with your voice.

Your voice is fine but you bury it in places becuase you probably don't like to hear it.

A good vocal coach can help you learn control. It is very worthwhile investment and one that will let you feel more comfortable hearing your own voice.

Over the years I have worked with a lot of young singers in my studio and usually the biggest flaw is the control of the voice.

You do have a fine voice the style of music you write - now step it up a notch.

Best to you in your future endeavors.
 
Bob's Mods said:
I think you're being to critical. They are decent recordings. Your best mix was Nobody. At least to me that is and I'm a fussy person. That Behringer B1 sounded better than I would have expected from a Behringer product.

Bob

The behringer B1 is a more than sufficient mic and everyone brings it down... check out http://www.myspace.com/strave.... the first 3 songs were done with the behringer B1 on vocals.

The bitrate is reduced a ton but you can hear that it's a good mic if used correctly.
 
David, yeah I have definitely though about getting a vocal coach. I have been playing instruments most all my life, and I grew up getting lessons. But I have never had a vocal lesson, aside from some trained singers giving me some pointers here and there.
Bob's Mods, I actually didn't use a compressor on vocals. I take that back. On one of the songs, I used the plug-in "classic compressor" on my vox. And that was after recording.
 
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