thanks thats the article i saw too.
they had to really work harder in the old days. i think now the challenges are different, getting the MP3's playbacks to sound as good as possible, competition is near "sonic bliss" so this raises the levels.
George Martin/Abbey Road made a bleep in a book stating he often would record the instruments..x,y,x, but then the vocals would be placed seperately to allow easier equing. 4-6 vocals on one track at times!
Personally, i have found favor with my SM7 mic. I went thru a few.
this mic is great for poorly acoustic-treated rooms (up close), has a nice capture of vocal range. Some say you can eat it...it doesn't distort easily and can take many,many punches.
(LosLonely Boys used it on Heaven, Shrl Crow used it doing vocal takes in the mixing room!..and others have used this mic... so it's got that approval stamp too. blah,blah,blah..)
Its very weak volume wise, not like a 48v LDC. Its a LDC without 48V.
Its an upclose mic so the room is less of a player...like Nearfield Monitoring.
we have many,many tracks these days... i saw one software pack at the store said "UNLIMITED TRACKS"...
so like Fraserhutch stated, we can do all the effect later, on a seperate track.... we can accomplish the same thing with technology.... hell from what iread you don't even have to sing well, just use a auto correct pitch software on track 442.