J
jreskin
New member
I'm not exactly a newbie, but I think this is a pretty newbie question, so I'm posting here.
As far as the trim (or gain) control on each input channel of a mixer goes, I've always just winged it and set my levels with my ears and my recorder's meters. Nothing wrong with that I don't think, but the other day I got to looking closely at the trim knobs on my console (a Mackie 8-bus). I noticed that for mic input, the trim knob is calibrated from 10 to 60 dB, and for line input, it's calibrated from 10 to -40 dBu (in the clockwise direction, left to right). I can understand that for mics, this means that the preamp is providing anywhere from 10 to 60 dB of gain on top of the mic's signal. But for line input, why does the trim knob's value decrease as you turn it up? That is, as the knob is turned clockwise, line input gets louder, but the value gets lower (closer to -40 dBu). How can that be? Can someone explain what's going on here?
Many thanks!
Joe R.
As far as the trim (or gain) control on each input channel of a mixer goes, I've always just winged it and set my levels with my ears and my recorder's meters. Nothing wrong with that I don't think, but the other day I got to looking closely at the trim knobs on my console (a Mackie 8-bus). I noticed that for mic input, the trim knob is calibrated from 10 to 60 dB, and for line input, it's calibrated from 10 to -40 dBu (in the clockwise direction, left to right). I can understand that for mics, this means that the preamp is providing anywhere from 10 to 60 dB of gain on top of the mic's signal. But for line input, why does the trim knob's value decrease as you turn it up? That is, as the knob is turned clockwise, line input gets louder, but the value gets lower (closer to -40 dBu). How can that be? Can someone explain what's going on here?
Many thanks!
Joe R.