M
Mystery Records said:[B]
No problem.shortstack!
Megaman said:
Supercreep said:I got a positive rep point from somebody claiming to be mystery. The note says "positive so I can neg".
We've got a liar, plagarist, and cheat all rolled up in one attractive package - what's not to like?
Mystery Records said:[B]
No problem.shortstack!
I will use a track that TimboZ submitted to anylise the mix.
TimboZ should learn first how to mix a tune to sound like the band/group was performing for an audience in concert. To accomplish this, the mixer must be able to place the instrument with a front/back as well as left/right perspective. The engineer must also be able to overcome masking with equalization, so all instruments can be clearly heard.
The term "static mix" means that the best mix that can be obtained with no controls moving. This type of mix is the basis for monitor and cue mixing during recording & overdubbing. This type of mix is the starting point for a final mixdown.
The instruments should be balanced as to function. By that it is meant than an even balance of all rhythm instruments is obtained which neither accents or disfavors any particular instrument. The lead vocals and instruments should be louder and more present in the mix With this kind of balance, the producer can decide which parts may have to be redone in recording and which instruments to accent, and at what times, in the final mixdown.
The recording engineer would normally obtain this type of mix within 2-3 passes of the tune and then look to the producer for further instructions as to preference. When recording and mixing, the engineer is trying to give the producer what the producer wants. What the engineer likes or dislikes is irrelevant at this point. After the starting point is reached with the performance static mix, communication can begin among all those who have creative input into the mix.
The room or environment aspect of the mix should be natural and minimized at this point in the process. This allows the instruments to be heard and for additional reverberation and effects to be carefully chosen and adjusted for the final mix.
Ted Philips/Mystery Records[/B]
Next time, try wiping... it feels great!Mystery Records said:That's what You think....kiss this-
courtesy of Ted"in control" Philips
Mystery Records said:[B]
No problem.shortstack!
I will use a track that TimboZ submitted to anylise the mix.
TimboZ should learn first how to mix a tune to sound like the band/group was performing for an audience in concert. To accomplish this, the mixer must be able to place the instrument with a front/back as well as left/right perspective. The engineer must also be able to overcome masking with equalization, so all instruments can be clearly heard.
The term "static mix" means that the best mix that can be obtained with no controls moving. This type of mix is the basis for monitor and cue mixing during recording & overdubbing. This type of mix is the starting point for a final mixdown.
The instruments should be balanced as to function. By that it is meant than an even balance of all rhythm instruments is obtained which neither accents or disfavors any particular instrument. The lead vocals and instruments should be louder and more present in the mix With this kind of balance, the producer can decide which parts may have to be redone in recording and which instruments to accent, and at what times, in the final mixdown.
The recording engineer would normally obtain this type of mix within 2-3 passes of the tune and then look to the producer for further instructions as to preference. When recording and mixing, the engineer is trying to give the producer what the producer wants. What the engineer likes or dislikes is irrelevant at this point. After the starting point is reached with the performance static mix, communication can begin among all those who have creative input into the mix.
The room or environment aspect of the mix should be natural and minimized at this point in the process. This allows the instruments to be heard and for additional reverberation and effects to be carefully chosen and adjusted for the final mix.
Ted Philips/Mystery Records[/B]
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Megaman said:
Is that a water cooler you are giving the bird to?Mystery Records said:You don't want none of this,boy.
Tell Your Mom Ted will call her later tonite,after you go to sleep...