I don't get the super strats and pointy shred machines. I think I'm just simply not a good enough player to utilize the ergonomic features of those guitars maybe? I just don't find them that easy to play. They feel small and kind of weak to me. The super thin flat necks and massive frets. Light bodies. They're like toys. When I hold one, I don't feel like I have a musical instrument in my hands. It feels like a toy. My actual Strat doesn't really feel that way. It feels like a guitar. But Ibanez, Jacksons, and Charvels and stuff...I just don't get along with them. Really, for me, if it's about playing ease, the SG and Flying V are about as easy as it gets. I mean, there's no heel whatsoever on an SG. Every fret is simple to get to. I wonder why more shred guys don't use those. There's got to be something about Super Strats that I just don't understand...besides just looking kind of dated and hair-cheesy.
For me, it's about ease of play & light weight...I had a guitar exactly like this one, same color, exactly....My parents paid about $900 for it new in 1988 IIRC...Best feeling, playing guitar I've ever owned, super thin neck that was just so easy to play, 3 humbuckers (the single coils are actually stacked, & the bridge has a coil tap, all DiMarzio designed), with 3-on/off switches, just a great playing guitar...I used to sleep with mine when I was still at home (literally), I played night/day man, every waking minute I spend with my hands on that guitar....I got married in '92 & it all stopped for a few years, then when I was going through my divorce, my lovely then to be ex-wife sold this guitar, along with my Gibson SG Junior (& everything else I owned, literally....furniture, tv's, applicances, you name it, she hocked/sold it all...when I came in from work one night, all I had was the clothes on my back...literally...she sold all that shit & skipped to another state...what really amazed me, is how fast she got rid of all that shit, & I couldn't find any of it anywhere...that one still gets me...) to support her drug habit....I've tried & tried over the years, but can't find either one of those guitars, & actually tried taking legal action against her, but was pissing in the wind....If I ever run into her again (haven't seen the bitch in over 15 years now), I'll probably choke her eyes out of her head, even if it does give me jail time....
This shop notorious for their high prices, but they are negotiable. But that one that says "consignment" - that's the price. No haggling on consignments. The prices on those items are insane, but look around the net, that's what those vintage Marshall items are going for. In the 90s you couldn't give away a Marshall anything. Somewhere along the way into the early 2000s people realized how bad ass those old Marshalls actually were and prices started skyrocketing. Now here we are. That original 68 Plexi I mentioned earlier at my tech's shop? The guy paid 5 grand for it. 5 thousand motherfucking dollars for a 50 year old guitar amp. These things are entering investment territory. Who's gonna play them? They're gonna become like original 57 Les Pauls just sitting under someone's bed waiting to be re-sold for massive profit. Who's gonna drag an $1800 dollar vintage cab out to bar and club gigs? No one in their right mind. I wouldn't anyway. That's a fucking museum piece now, only to be played in a climate-controlled-smoke-free home or maybe taken to a studio for some recording. And maybe my ears just aren't refined enough, but does a $1800 vintage 70s 1960a cab really sound better than my $275 90s 1960a with my choice of speakers in it? I don't know. Maybe it does. But I bet it doesn't sound $1525 better.
I dunno if those cabs would sound any better than a cheaper one or not man, & I'll probably never know myself, but that's ridiculous on the prices....Have you ever saw the Marshall Museum dude??? Lots of cool stuff there....The owner/operator is a member of the Marshall Roadhouse forum...
Yeah this guy is a guitar freak. Rip roaring leads are his thing. He's a child of the 80s. All he does is sit around and play guitar. It's pretty amazing to watch him go. I can't even begin to comprehend how he knows where to go when he's putting together a lead. He's not a big theory guy. He doesn't sit there and think "well this song is in A so I should use a lydian phrygian whatever scale". He's not like that. I can only assume that he knows so many famous leads from his guitar heroes that he just picks little pieces from them and puts it all together. When we're writing and recording, he might do 20 leads for the same song, all different, but all of them work. It's mind boggling. He hears things that he likes or dislikes in his own leads that I can't pick up on. I'm just like whatever man. Just pick the one you want on the song.
At one time, I was almost like that, I'd eat, sleep, & live playing my guitar....This was before I got married & left my parents' home though, I'd sit & learn a whole album instead of just a song, I'd learn the whole album dude....Man, what I'd give to go back to those days/back in time, I'd never have gotten married, & I fuckin' sure wouldn't crawl around in a hole in the ground for a fuckin' living.....Post some clips of your buddy if you get time dude, I'd love to hear him sometime...
Yeah, from what I've heard from you, I think a LP suits your sound and style very well. You play a lot of riffy stuff. No super fast, not super technical, not super basic, but just good ol rock and roll riffs. Big beefy riffs. An LP is perfect for that. The Les Paul is the king of big beefy rock and roll riffs.
I've never been a shred guy, years ago, I did learn how to play some of that shit, but it just never appealed to me, I was always into the bluesy stuff, even if it was hair-metal, like Cinderella comes to mind, their first (and only IIRC) albums were blues-based rock...Now don't get me wrong, Malmsteem & shit like that on the technical side is amazing, but IMO, the songs suck...No point in being amazing if the song(s) that the amazing guitar is in sucks IMHO....Randy Rhoads was one of my heros, George Lynch, there were so many back in the day though....Thanks for the compliment dude, I wish I had time to get my chops back into shape like they were years ago, but don't think it's gonna happen really, I stopped playing for too long really.....Now, it's all I can do to find time to record a few tracks here/there....Fuck dude, where did 25 years go????