The little amp thread

  • Thread starter Thread starter Middleman
  • Start date Start date

Best mini amp on the planet

  • Danelectro Honeytone

    Votes: 1 8.3%
  • Marshall MS-2 or MS-4

    Votes: 1 8.3%
  • Pignose - The old but reliable 7-100

    Votes: 2 16.7%
  • Fender Mini Tone-Master Guitar Amplifier

    Votes: 2 16.7%
  • Other: Name your poison.

    Votes: 6 50.0%

  • Total voters
    12
Middleman

Middleman

Professional Amateur
OK guys. Enough of the big amp big sound stuff. Who makes the best mini amp and why?
 
Pignose G40V

Lightweight, all tube, all it needs is a new speaker and a 12AT7 driving the tone stack, and you've got the killer little amp. Set it inside a Marshall 4X12 cab if you're insecure about your manhood, and wail away!
 
That's what I'm talking about; guerilla tactics for recording.
 
I bought an Alesis Wildfire 60 watt amp (yeah...gag!!)... but it is actually really, really nice. Solidstate and all the effects junk built in. I like it because the overdrive can be controlled by a footpedal. So..I can go from a chimy clean sounding chord, and have it morph/sustain into a nice overdriven feedback note...all with one strum. Plus it can be the left channel of a stereo rig when you hook up another amp...which I do of course... (using the crappy little Valvestate Marshall stuff set on "clean"). Also with the METAL footswitch/expression pedal you get, you can switch to the sound you programmed in previously by scrolling up or down. I've got a half dozen presets, and NO stomp boxes, save the TU-2 tuner I like (because it mutes and I can tune while others play). To continue to rant, you can do 3 seperate effects at once, noise gate, compression, overdrive type...all at once, plus some other stuff. AND>>> only $200 brand new!

But you know, (solidstate and crappy amps aside) I think my sound is pretty killer in a live setup, and comes pretty close to sounding like a decent stack, and keeps up with the drummer without a hiccup. I would replace it in an instant if it ever goes down. Infact, thinking about buying another one just as a backup, because I am sure they will be discontinued in the near future, as I don't see Alesis having a promising future in guitar rigs.
 
I have a little 12 watt solid state Marshall that I use sometimes for stuff... sounds good for recording.... better than my Big Stuff sometimes.... :eek:
 
i have a little piece of junk 2 watt amp by some korean company called Axtech. the speaker is a piece of shit, it can't give me any clean tones, and the overdrive just makes it some like shit....... so what I do if I lay speaker down onto a rug or something and blast that little punk. surprisingly, I can get a decent heavy metal tone out of it. you might want to try that.... just get a good little amp, then put a blanket over it or just lay it face-down on carpet or rug or blanket or whatever.
 
rxQueen said:
just get a good little amp, then put a blanket over it or just lay it face-down on carpet or rug or blanket or whatever.

Where's the mic go in this scenario?
 
I have the MS-4 and I'm not really sure what I'd use it for. The headphone jack isn't even loud enough to attach to my amp so I can't use it as a cheap distortion pedal. I suppose it's only use would be as a really really cheap first amp or as a tiny backstage amp. The tone is alright, I suppose, especially from speakers such as those. Anyone know if I can find better speakers to replace them with? Just as a small project.
 
skipwave said:
Where's the mic go in this scenario?

I don't think he means for recording. The mic would be outside the blanket if he so chose to record.
 
It never ceases to amaze me the variety of tone and apparent large amp impression a small amp can create when recording.
 
I have a Fender Champ II from the early 80's that I inherited from my brother in law. I just had it worked on and new tubes put in. That little thing will take your head OFF. Great little blues tone without buying a Blues Jr.

Works as a live amp too.

I mic it with a 57 up close and the MK319 about 5 feet back and blend. Sometimes I'll put my Shure Model 300 ribbon up, but that mic is real unpredictable.

4 knobs; Volume, Bass, Treble (pull for mid boost), Master.

Cool.
 
Back
Top