I almost didn't respond but I had to. I remember a time when CD's came out and people said it all digital, its crap, it will never catch on. Well it has.
I happen to own
Line6 Flextone II HD, and a Line 6 412s Cab with 4 celestion speakers in it. I also happen to own
a Variax 500 and
a POD XT live.
First from a price stand point I could have bought one of many Marshall, Vox, Mesa, Peavy amp head/cab combinations when I made the investment. With
my floorboard, I paid several years ago like $1900 for the Flex HD, 4x12 Cab, and Floorboard. So I didn't buy cause I couldn't afford the real thing, I bought with my eyes wide open. Why?
Flexibility and my desire to be able to create tones that well sounded like me. Not necessarily like a Marshall or Mesa. I don't get caught up in whether it sounds like or as good as XXXX Brand. I get caught up in if the tone rocks, if works for the song, and if the people who hear me play think it sounds good. More times then not my Band will be telling me to turn down when rehearsing that I am too loud, not that they can't hear me in the mix.
Don't get me wrong I am not knocking real tubes amps, I think there are many great amps out there, that sound fantastic. But I just played a show a couple of weeks ago at a county fair. A band played after us and the guitar player in that band had A Marshall. When we finished and they started setting up he said to me, WOW you really had a lot of really nice tones that worked well with the songs you guys did. He said: I have read a lot about Line 6 and have wanted to try some of their stuff out, i think you just convinced me, how much work does it take to get tones like that? I said it takes a fair amount of time and patience but the tones are in there to be pulled out, just use your ears. Later that week I saw another band with a great Guitar player who had an old 68-69 Marshall Head. His tone was really excellent and I told him that. But it struck me as their sets went on that he basically used the exact same tone for every song. It sounded good but after a while the songs started to sound the same. This isn't a knock on the band or his tone as they were in fact very good, but As much as I liked his tone, he didn't have the tonal flexibility in his arsenal that I do.
Now the Variax ..... I have 10 Guitars ...a Gibson Les Paul, Fender Strat, Ovation 6-String Acc/Elec, Fender 12-string Acc/elec, Midi guitar to name a few. I also have
a Variax 500, do i like it better then my Strat or Les Paul, or Ovation, well No I probably don't. But I will tell you it is a great tool and does things that none of my other guitars can do. I can go from an electric to acoustic and back with just a flip of a switch. It allows me to have a sitar, banjo sound if needed. The other powerful thing it does with the addition of the workbench software is I can play a song in Drop D or Open G tuning or any other alternate tuning by again just flipping a switch. I can flip a switch and make the guitar think it has a capo at 1st,2nd ... 11th fret. None of my other guitars can do this as easily and quickly. Variax again just opens up more tools in my arsenal, has some very cool tones, and is probably one of the best guitar technology inventions I have ever seen. I think for the $500 I paid for it is worth every penny.
Let me be clear, I am not knocking any other product. My view is just accept and embrace all the technologies out there. There are tons of great products out there and I hope each manufacturer keeps developing and improving them so we all have options and toys to pursue. Will I buy a Marshall or other tube amp some day,i certainly might, but as my only amp, probably not, but who the hell knows what the future will bring. Just play the damn things and make the music and lets judge the songs and not what equipment was used. "It's All Good' as some one said before, it all about the musice in the end.