yes that is sort of what i'm talking about after the mixing for mix down. i know they sqashed the mix after raising each band i think,FALKEN said:I dont know what "they" were using it for but I've used it to remove frequency masking and it seems to work well.
And, frankly, if one needs more than 10 bands of parametric and/or tunable bandpass, one had probably better go back into the mix and get it right .FALKEN said:my massive passive probably doesn't have more than 10 points on it. but I haven't counted.
For corrective pre-comp EQ I have been using Elemental Audio's Eqium more than anything else. A rather neutral sound, and about as flexible and surgical as one can get for that purpose, with 8 bands of fully-variable selectable parametric, -pass, -shelf, notch, and harmonic filtering. That of course assumes working in the digital domain, which I do that that point. If I'm in a studio with quality analog iron, I'll choose the "best" tunable parametric/bandpass/filters they have that will target the problem freqs.FALKEN said:so what would you use?
all i know is that the mix sounded thick and hot after compression.SouthSIDE Glen said:For corrective pre-comp EQ I have been using Elemental Audio's Eqium more than anything else. A rather neutral sound, and about as flexible and surgical as one can get for that purpose, with 8 bands of fully-variable selectable parametric, -pass, -shelf, notch, and harmonic filtering. That of course assumes working in the digital domain, which I do that that point. If I'm in a studio with quality analog iron, I'll choose the "best" tunable parametric/bandpass/filters they have that will target the problem freqs.
I have worked with a MMP in the past; it's a great piece of gear! I'd love to have one myself for tinting my tracks and even my mixes with that great Manley sepia tone. But again, it's not going to be my tool of choice for targeted 2mix *correction* unless the problem just happens to fall within its available parameters.
Again, YMMV, IMHO, QUIDPROQUO, ETC.
G.
adiel said:yes that is sort of what i'm talking about after the mixing for mix down. i know they sqashed the mix after raising each band i think,
Kind of synthing a 10-band MBC (in a rough kind of way, anyway)? Yeah, that's certainly a possibity.xstatic said:This makes me wonder if the EQ wasn't just sidechained to the comp to help tune the compression itself and not for actual EQ'ing.
And what if your goals are to correct problem frequencies in the mix before comping?FALKEN said:But I still stand by my statement that you can do a lot with a 10 band. its not the gear its how you use it and what your goals are.