
philboyd studge
New member
Duditz said:Any particular reason you're not a fan of bolt on necks?
Maybe it's experience with those awful Fender acoustics from the 60's but except for tuners, I like all wood guitars to be all wood.
Duditz said:Any particular reason you're not a fan of bolt on necks?
Outlaws said:Martin -VS- Taylor is like Gibson -VS- Fender. Its apples and oranges. You can't compare a Les Paul to a Strat because they make two completely different sounds.
You know why you think Martin sounds "dead" and "hard to play"? because you like the electric guitar action of the Taylor and the bright sound they produce. Martin is just a whole different ball game. If you played with your fingers and not a pick, you just might not like Taylor all the sudden.
cmhansen said:Have to agree, you have to take each guitar by it's own personality. I have a Taylor 710 and it has almost to much low end. Like Richard's above post, you have to play to the temperament of the guitar. I try not to look at the name of the guitar when going to buy one. I'm going to buy the one with the best tone.
gibson59neck said:Based on your response, you seem to think you have it all figured out.
Outlaws said:Well I have figured out that you are a troll, but thats about it.
Outlaws said:Well I have figured out that you are a troll, but thats about it.
TelePaul said:What do you play anyways?
Light said:First of all, they are completely different guitars, and trying to compare them is stupid. Second, if you've never played a good Martin, then you've not played many Martins, and you've never played a good old one. The single best sounding big guitar I've ever played was a 1934 D28 (the first year they ever made a fourteen fret Dred). There was nothing dead about that guitar. Nothing.
As for the differences, Martins in general have a lot more variablity and character than Taylors, though I will admit their factory setups are not as good as Taylors and their trebles can be a bit out of balance. Taylors, on the other hand, tend to be extremely consistant from guitar to guitar, their factory setups are almost right (which is better than any other guitar company out there), but they lack in individuality and are extremely light on the low end. They are light and shimmery, which actually works great in a rock/pop (and modern country) band situation because they just sit real nice in the mix. Taylors are completely lost, however, in any Bluegrass situation, and will never stand up to a Martin in a solo situation.
And a great Gibson Acoustic will blow away any Taylor ever made, and probably 85-90% of all Martins, in most Non-bluegrass situations.
Light
"Cowards can never be moral."
M.K. Gandhi
gibson59neck said:You said they are totally different, and that comparing them is stupid. Then you compared them. Stupid.
gibson59neck said:You said they are totally different, and that comparing them is stupid. Then you compared them. Stupid.
If you want to split hairs, the dictionary says that one synonym for contrast is COMPARE. Geez, people. Talk about an uppity bunch! Oh yeah. We're all musicians. Bunch of egos...TelePaul said:That was more of a contrast....
Outlaws said:See, you are a troll.
gibson59neck said:If you want to split hairs, the dictionary says that one synonym for contrast is COMPARE. Geez, people. Talk about an uppity bunch! Oh yeah. We're all musicians. Bunch of egos...
gibson59neck said:fuck it. I'm a troll!
gibson59neck said:???? Can't figure you out. I guess if defending myself against people that talk down to and make assumptions about me makes me a troll, fuck it. I'm a troll!
Damn this place has a lot of knobs in it...
Outlaws said:See, you started a thread about how much you hate Martins. Obviously you wanted to incite people to disagree and argue. That is called "trolling".