Tascam 424mkIII Help!!!!

  • Thread starter Thread starter Greykitkat36
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If all of your 9 songs can be played in 22:30, you can record them on a singular cassette.

Odds are you will need two cassettes to get all 9 songs recorded, giving you 45 minutes of total recording time.

On a Portastudio, you do not flip the cassette over. You record everything, (all 4 tracks or channels on the tape) in one direction.

To get all the mentioned instruments onto those 4 tracks or channels of tape, you will have to record bass, drums and guitar to a stereo, live off the floor recording which will use up two of the tracks and with the remaining 2 tracks or channels of sound you will have to record the balance of your instrumentation and/or vocals.

This will at least give you a true stereo recording if you mix well as you are recording and will allow you on mix-down to at least balance the bed tracks against the lead tracks; solo instruments/vocals.

Cheers! and good luck with your project! :)
 
The Ghost of FM said:
If all of your 9 songs can be played in 22:30, you can record them on a singular cassette.

Odds are you will need two cassettes to get all 9 songs recorded, giving you 45 minutes of total recording time.

On a Portastudio, you do not flip the cassette over. You record everything, (all 4 tracks or channels on the tape) in one direction.

To get all the mentioned instruments onto those 4 tracks or channels of tape, you will have to record bass, drums and guitar to a stereo, live off the floor recording which will use up two of the tracks and with the remaining 2 tracks or channels of sound you will have to record the balance of your instrumentation and/or vocals.

This will at least give you a true stereo recording if you mix well as you are recording and will allow you on mix-down to at least balance the bed tracks against the lead tracks; solo instruments/vocals.

Cheers! and good luck with your project! :)

Thanks for your help. I believe though all nine come to a total of around 50 min. So I suppose I need 3 cassettes. Also, after We are done getting all nine tracks recorded, what are the choices for mixdown? Just a Stereo? Thanks, like I've said before im really new to this stuff and I just want a clean recorded album for our band. I think I can go direct to the MkIII being im drums and I have my parts down perfectly.
 
If you have that many songs, I wouldnt record on 60 or 90 minute tape, because all the re-winding and fast-forwarding is going to stretch your tape out like a bitch. Secdond, I would read your manual. I dont mean to be partonizing, but even I read the manual sometimes, and it makes things a lot clearer to someone who doesnt know anything. Most people here answering your question know a good deal of four track-"intelligence" so were talking in two different worlds. I would suggest you use a 30 minute tape for each song, so nine 30min tapes, and record at the high speed setting. You can cram all the 9 songs together once you mix down (VCR, cassette, 8-track, PC), but you can also learn this easier through the manual but who am I to speak? Ive had my hang-ups as well
 
If I'm understanding the way you want to put these songs onto the 4 track, it sounds like you've got the whole concept of the multi-track recording process all wrong.

For what I think you want to do, you NEED mixer with at least 8 channels,

Mixer Channel

1 singer
2 GTR
3 GTR
4 Bass
5 kick drum
6 snare drum
7 drum over head, one is fine if it's gonna be mono anyway
8 drum over head ? (pan 'em L/R if you come to your senses and record at LEAST in stereo)

For the MONO method..

If it's a stereo mixer, turn ALL the channel pan controls to "left" then plug the left output from the mixer into channel 1 on the 4 track, arm track 1 and hit record, play the song, rewind the tape and listen, if the instrument balance isn't right, re-adjust the mixer volume settings, rewind the tape, and do it again, repeat until you're happy with the results.

To do the second song, repeat all of the above steps EXCEPT plug the mixer into channel 2 of the 4 track and record onto track 2.

Doing it this way will leave you with 4 mono songs on 4 seperate tracks of the 4 track, whether or not you can squeeze any more songs onto the tracks will be determined by how long the first set of songs are, be careful not to accidentally record over anything thats already done.

For the STEREO method..

You would get better results if you set up a stereo mix and recorded it to tracks 1 and 2, panned left/right, then recorded the next song onto tracks 3 and 4 panned left/right, this would give you at least 2 songs per cassette, maybe even 4 (if they're short enough) and they would be in stereo, to do stereo, use both the left AND the right outputs from the mixer, and pan your instruments accordingly.

You know... you could have saved the money on the 4 track and used a stereo cassette deck plus a mixer for this.

If you want to have any reverb on the tracks, you will need a reverb unit patched into the mixer's aux send/return and balanced correctly.

It'll be a "live" recording, that's for sure.

Remember, this is a live recording, you have to keep doing the songs over and over until you get a take that kicks ass, there will be absolutely no fixing anything in the mix, because you are recording the mix.

Getting enough headphones/extention cables/headphone amplification for everyone would be a top priority, try to isolate the singer as well as you can, along with the GTR/Bass amps, remember, everyone will sound better if they are getting a good monitor mix off the mixer, for the singer, being able to hear a little reverb in the cans might make for a better performance, I would certainly NOT even try to record/compete with a PA system, headphones are the way to go.
 
Last edited:
Strryder said:
If I'm understanding the way you want to put these songs onto the 4 track, it sounds like you've got the whole concept of the multi-track recording process all wrong.

Okay.

For what I think you want to do, you NEED mixer with at least 8 channels,

ch 1 singer
2 GTR
3 GTR
4 Bass
5 kick drum
6 snare drum
7 drum over head, one is fine if it's gonna be mono anyway
8 drum over head ? (pan 'em L/R if you come to your senses and record at LEAST in stereo)

For the MONO method..

If it's a stereo mixer, turn ALL the channel pan controls to "left" then plug the left output from the mixer into channel 1 on the 4 track, arm track 1 and hit record, play the song, rewind the tape and listen, if the instrument balance isn't right, re-adjust the mixer volume settings, rewind the tape, and do it again, repeat until you're happy with the results.

To do the second song, repeat all of the above steps EXCEPT plug the mixer into channel 2 of the 4 track and record onto track 2.

Doing it this way will leave you with 4 mono songs on 4 seperate tracks of the 4 track, whether or not you can squeeze any more songs onto the tracks will be determined by how long the first set of songs are, be careful not to accidentally record over anything thats already done.

For the STEREO method..

You would get better results if you set up a stereo mix and recorded it to tracks 1 and 2, panned left/right, then recorded the next song onto tracks 3 and 4 panned left/right, this would give you at least 2 songs per cassette, maybe even 4 (if they're short enough) and they would be in stereo, to do stereo, use both the left AND the right outputs from the mixer, and pan your instruments accordingly.

The whole idea of this is making me crazy... you could have saved the money on the 4 track and used a stereo cassette deck plus a mixer for this.

If you want to have any reverb on the tracks, you will need a reverb unit patched into the mixer's aux send/return and balanced correctly.

It'll be a "live" recording, that's for sure.

Remember, this is a live recording, you have to keep doing the songs over and over until you get a take that kicks ass, there will be absolutely no fixing anything in the mix, because you are recording the mix.

Huh?

Why would s/he want four mono mixes on four separate tracks? You're quite clearly as insane as s/he is. :eek:

Listen up Greykitkat. THIS is how you're going to do it.

1: Gather together as many mics and D.I. boxes as you can: including large and small diaphragm models, and Condensers and Dynamics (note: you'll need Phantom Power with the condensers).

2: Stick two small diaphragm condensers (such as the Oktava Mk-012) on separate tall boom stands. Place one two drum sticks high over the snare and the other two drum sticks high over the drummers right shoulder. Then, using a piece of string adjust them until the kick and snare drums sit nicely in the middle (you'll know when that is because if you assign the kick and snare to two tracks both meters will should show the same level).

3: Stick a large diaphragm dynamic (such as an AKG D112) on a very short boom stand and place it (the mic) in the kick drum. Adjust position and distance until you hear the sound you like.

4: Put a small diaphragm dynamic (such as an SM57) on a medium height boom stand. Place this mic over the snare, about two inches up and two inches in. Make sure it's not somewhere the drummer will hit it.

5: For the Rhythm Guitar you can either go direct (just plug it into one of the channel strips) or you can mike up a cab. Ditto for the bass.

6: Okay. Now that's all miked up we're going to record the rhythm section. To do this you need to do the following

i: . Set all Input Select switches to Mic/Line
ii: Push all Channel faders plus the Stereo Master Fader into the shaded area
iii: Put a tape (C90 or c60 will work, as long as you use a high quality brand ) in the recorder section. Arm tracks 3 and 4
iv: Have the musicians play their instruments (one at a time is best) and turn up the trim controls in each channel until you get a healthy signal (about +6 on the meter is acceptable)
v: Pan the instruments to where you want them in the soundstage (usually that's bass, kick and snare: centre, overheads: far left and far right and rhythm guitar: off centre in either direction).
vi: Adjust the trim controls and channel faders until the relative levels are satisfactory.
vii: Record the rhythm section for as many songs as will fit on the tape you're using (just two tracks, remember). Then put a new tape in and record some more. Repeat until finished (don't forget to label the tapes).

Now we should have

Track 1: Blank
Track 2: Blank
Track 3: Rhythm Section Left and Centre
Track 4: Rhythm Section Right and Centre

On all the tapes.

Tell me what else you want (just a lead vocal and guitar? Or lead vocal, backing vocals and lead guitar)
 
Mark7 said:
Okay.



Huh?

Why would s/he want four mono mixes on four separate tracks? You're quite clearly as insane as s/he is. :eek:

Listen up Greykitkat. THIS is how you're going to do it.

1: Gather together as many mics and D.I. boxes as you can: including large and small diaphragm models, and Condensers and Dynamics (note: you'll need Phantom Power with the condensers).

2: Stick two small diaphragm condensers (such as the Oktava Mk-012) on separate tall boom stands. Place one two drum sticks high over the snare and the other two drum sticks high over the drummers right shoulder. Then, using a piece of string adjust them until the kick and snare drums sit nicely in the middle (you'll know when that is because if you assign the kick and snare to two tracks both meters will should show the same level).

3: Stick a large diaphragm dynamic (such as an AKG D112) on a very short boom stand and place it (the mic) in the kick drum. Adjust position and distance until you hear the sound you like.

4: Put a small diaphragm dynamic (such as an SM57) on a medium height boom stand. Place this mic over the snare, about two inches up and two inches in. Make sure it's not somewhere the drummer will hit it.

5: For the Rhythm Guitar you can either go direct (just plug it into one of the channel strips) or you can mike up a cab. Ditto for the bass.

6: Okay. Now that's all miked up we're going to record the rhythm section. To do this you need to do the following

i: . Set all Input Select switches to Mic/Line
ii: Push all Channel faders plus the Stereo Master Fader into the shaded area
iii: Put a tape (C90 or c60 will work, as long as you use a high quality brand ) in the recorder section. Arm tracks 3 and 4
iv: Have the musicians play their instruments (one at a time is best) and turn up the trim controls in each channel until you get a healthy signal (about +6 on the meter is acceptable)
v: Pan the instruments to where you want them in the soundstage (usually that's bass, kick and snare: centre, overheads: far left and far right and rhythm guitar: off centre in either direction).
vi: Adjust the trim controls and channel faders until the relative levels are satisfactory.
vii: Record the rhythm section for as many songs as will fit on the tape you're using (just two tracks, remember). Then put a new tape in and record some more. Repeat until finished (don't forget to label the tapes).

Now we should have

Track 1: Blank
Track 2: Blank
Track 3: Rhythm Section Left and Centre
Track 4: Rhythm Section Right and Centre

On all the tapes.

Tell me what else you want (just a lead vocal and guitar? Or lead vocal, backing vocals and lead guitar)

We also have 1 vocalist, and a lead guitar. You said to record 1 at a time is best. Are you saying that recording "live" is bad? because we were thinking of recording live all the tracks, and then the following days mix the tracks.
 
No, recording live isn't bad. But you certainly don't need to buy an eight channel mixer like Strrrrryder suggested. Get a decent quality four channel one (when you plug its outputs into the sub-ins of the 424 you'll have ten channels. Which should be plenty).

There's no reason to not use the 424s built in mixer as well. The quality is probably at the same level as any cheap Behringer/Samson/Phonics console.

The reason I suggested recording the song in sections is because, as ARP pointed out, you won't get good enough seperation between the lead tracks (Vocal and Guitar) and the Rhythm bed (Guitar, Bass and Drums) using the combination of Direct and Bussed Channels I suggested earlier.


Channel 1: Singing (direct to track 1)
Channel 2: Lead guitar (direct to track 2)
Channel 3: Rhythm guitar (direct to track 3)
Channel 4: Bass guitar (bussed to track 4)
Channel 5: Kick drum (bussed to track 4)
Channel 6: Overhead (bussed to track 4)

And PRAY you never have to retrack bass and drums
 
Mark7 said:
No, recording live isn't bad. But you certainly don't need to buy an eight channel mixer like Strrrrryder suggested. Get a decent quality four channel one (when you plug its outputs into the sub-ins of the 424 you'll have ten channels. Which should be plenty).

There's no reason to not use the 424s built in mixer as well. The quality is probably at the same level as any cheap Behringer/Samson/Phonics console.

The reason I suggested recording the song in sections is because, as ARP pointed out, you won't get good enough seperation between the lead tracks (Vocal and Guitar) and the Rhythm bed (Guitar, Bass and Drums) using the combination of Direct and Bussed Channels I suggested earlier.

so then i should do this on all the tapes?

Track 1: Vocals (center)
Track 2: Lead Guitar (Left)
Track 3: Rythmn Section (Left and center)
track 4: Rythmn Section (Right)

??
 
Greykitkat36 said:
so then i should do this on all the tapes?

Track 1: Vocals (center)
Track 2: Lead Guitar (Left)
Track 3: Rythmn Section (Left and center)
track 4: Rythmn Section (Right)

??

Yep. Except, for Track 4 that should be "Rhythm Section (Right and Centre)".
 
Mark7 said:
You know, I think you'd be happier with the Tascam 488

http://search.ebay.com/search/searc...t=1&SortProperty=MetaEndSort&query=Tascam+488

You are American?

Except the 488 can only record on 4 tracks at a time (damn).

So you might want to look at

Tascam 688 (Some examples
here )

Tascam 388 (like this )

or Tascam 238 (like these ) plus a mixer (for example ).

If you have more money you could replace the 238 with a 38, which is a reel to reel 1/2" 8 track that runs at 15 IPS :D :cool:
 
Mark7 said:
Huh?

Why would s/he want four mono mixes on four separate tracks? You're quite clearly as insane as s/he is. :eek:


I'm NOT recommending that he record that way, and I'm not insane either! :p

It seemed like he wanted to do a "live" recording, everything at once, and fit it all onto a single track for each song... so I was trying to help him with that.

Back in my 4 track days, I would usually do it this way..

Mic the drums, (sub-mixed thru an old 6 channel TAPCO mixer, remember those?), DI the Bass, and put my guitar amp in a different room and mic it, and record the bass onto track 1, drums onto track 2, and guitar onto track 3, my old 4 tracker did not have any problems bouncing to an adjacent track, so I would then mix those three mono tracks down onto track 4, and have 3 more recordable tracks, usually lead guitar/backing vocals/lead vocals.

The biggest drawbacks to doing it that way were, first, it would be mono, at least the rhythm tracks were, and second, if a few days later you wanted to re-adjust the instrument balance, or tone, or anything on the rhythm track, you were screwed.

:D
 
Hey Greykitkay, lots of great posts here and valuable information, what kind of equipment are you using to do this recording, I understand the 424 (I've got one too), but what about your gear? If you're a band you must have some mics, pa system, mixer...I really haven't seen a post about what you have to work with other than the recording, I may have missed something though. We've got a lot of high tech stuff and ideas nowadays, but thirty odd years ago, 4 tracks is all we had, and alot of top albums were done on 1/2 inch tape.Here's just a suggestion, put a condenser mic over the left shoulder of the drummer, put the bass amp in front of the bass drum (leave the drum port open) place a mic approx 2' in front of these, put a mic in front of Ld guitar amp and one in front of your PA speaker (try it), this gives you four channels to mix using Eq and pan. Channels five and 6 would have to be bused into 1,3, or 2,4 respectively, make sure if you use these to put them on differing sounds for eq'ing at mix. For instance your condenser mic say track 4 over drummer picks up the snare, highhat, toms cymbals, if you put the rhytm guitar on 6 then you have some eq control on sound, volume has to be played with. Hope this helps a little and I'm not confusing the issue-remember, music is an art-experiment.
 
Several years ago, my band had the same problem...although it was before the advent of these handy message boards to find information, so we had to be creative.

Our situation was a little different, in that we had both a Tascam 424 and a 414 to work with.

First we miced the drums with two overheads, a snare and a kit mic and ran all four through the 414 to act as a mixer.

The drums went to track 1 on the 424, the bass on track 2, guitar on track 3 and guitar on track 4.

Next we made a stereo mix we liked on the 424 and ran that out to tracks 1 & 2 on a brand new tape on the 414. That left us with two more tracks for vocals and more overdubs.

It wasn't the best recording I've ever done, but in a pinch it worked.

--justin
 
For people who want to know what gear we have: (by the way im just getting into recording so the gear is not impressive).

Tascam 424 MkIII
4 Samson R11 Microphones (I may need to buy diff. ones?)
1 Mic Stand

To record Bass, Vocals, Rythmn Guitar, Lead Guitar, Drums. Currently we are running 1 mic overhead the drums, 1 mic for lead , 1 mic for Bass and rythmn, and 1 mic for vocals.

(For all 4-9 tapes)
Track 1- Vocals
Track 2- Lead Guitar
Track 3- Rythmn Section Left and Center
Track 4- Rythmn Section Right and Center

Any other ideas??????????
 
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