OneRoomStudios said:
Also, I doubt the sound difference between op-amps is anywhere near as drastic as the difference between tubes, but I could be wrong.
I would tend to agree with you. Still, I have been privy to more than a few discussions with people who swear that there is a noticeable difference between one chip and another.
Linear Technologies used to be the big guy on the block in terms of audio-related silicon. They used to make two different chips : The SSM-2015 and the SSM-2017. And apparently, there was so much of a noticeable difference between the two, that some pretty heavyweight audio guys basically deemed the 2017 as having unacceptable amounts of HF distortion, etc. (resulting in a brittle sound) and would even go so far as to recommend against any mic pre built around one -- meanwhile singing the praises of the 2015.
The 2017, by the way, happened to be the predecessor of the INA-217 we're now talking about.
At the same time, Burr-brown's INA-103 was turning a lot of heads and making quite a splash. The audio geeks gave it their approval. Grace Design were using it in their stuff . . . M-audio was using it in the dmp2, which got quite a bit of accolades at the time amongst the project studio crowd, and a few nice consoles, I believe started using it.
That chip, by the way, was the predecessor to the INA-163.
What does it all mean? I have no idea. Again, it could all just be a lot of geeks flipping out over nothing. Or maybe they know something the average joe doesn't ? Either way, it's above my head, but I think some of these discussions are at least worth noting . . . if not looking in to a bit more.