C
CMEZ
New member
I'm doing some booking demos, and for a first time BEHIND the console, it's going very well.
I've got an Allen & Heath System 8 24 channel 8 buss console and a Teac 80-8 1/2" 8 track. I can't tell you how pleased I am with the sound of this combo!
But as I'm winding down on tracking, I have to make some decisions-namely what I should purchase to mix TO. I've got access to DAT's that I can borrow, so it's not super pressing-these are just booking demos and I'm sure it'll be fine for that.
Should I purchase a DAT? Should I purchase a standalone CD burner and mix to that? Even if I get, say, a 1/4" reel to reel-I still have to go digital at some point. What is going to be more flexible for say basic software postproduction/mastering?
I can see that it would be useful to have a standalone CD burner, because it would be nice to check my mixes on various stereos as my moniters aren't the greatest (Fostex PM1's).
I dunno. What do you suggest?
Chris
I've got an Allen & Heath System 8 24 channel 8 buss console and a Teac 80-8 1/2" 8 track. I can't tell you how pleased I am with the sound of this combo!
But as I'm winding down on tracking, I have to make some decisions-namely what I should purchase to mix TO. I've got access to DAT's that I can borrow, so it's not super pressing-these are just booking demos and I'm sure it'll be fine for that.
Should I purchase a DAT? Should I purchase a standalone CD burner and mix to that? Even if I get, say, a 1/4" reel to reel-I still have to go digital at some point. What is going to be more flexible for say basic software postproduction/mastering?
I can see that it would be useful to have a standalone CD burner, because it would be nice to check my mixes on various stereos as my moniters aren't the greatest (Fostex PM1's).
I dunno. What do you suggest?
Chris