Snow

  • Thread starter Thread starter Scott Tansley
  • Start date Start date
Great song and video!

Scott,
Thought the music was well done. Liked the sound you guys have. But I was even more amazed at the video you made. Awesome detail especially watching the drummer play from the snare down to the toms. Also Abbey Road was a nice touch.
Keep on keepin on.................Joe Recorder
 
Sorry to bump this one back again but finally got some guitar solo's in there. Kind of Brian May (ish) sounding. And a brighter snare. But otherwise the same. Since I always mix my own mixes, its always good to have your ears in there as well. So we thank you all heaps dudes.


Scott Tansley
Phil Howland
 
It's so damned good, that any opinion I might have would be based on nothing more than personal preference, so I'll just reiterate my original sentiment.


ROCK! ROCK! ROCK! ROCK!

(maybe 3 thumbs up this time)

Don't ever apologize for bumping this tasty treat up the page a few hundred notches. In fact, now that I think about it...it needs a cowbell. Go put a cowbell on it (just once, right at 1:22.034), then remix it for us, then update us...maybe by then I will have figured out how to download the sucker for keeps.

-chris
 
chrisharris said:
maybe by then I will have figured out how to download the sucker for keeps.

-chris

Chris,

Right Click the link scott posted and choose "Save Target-As" to download it.
 
I like the guitar work you've added Scott.Nice thick licks......really like the harmony licks....did you double the leads to give them that thick tasty tone?
 
I doubled some leads but the screatchy high pitch ones are single. Well single marshal stack at full cry type u single. He He. Always hard to hear the headphone mix in the same room as that.
 
Scott Tansley said:
I doubled some leads but the screatchy high pitch ones are single. Well single marshal stack at full cry type u single. He He. Always hard to hear the headphone mix in the same room as that.

hehe....I know what you mean by the amp blasting so loud you can hardly hear the headphone mix.I stick my amps in the closet and shut the door if I really have to crank it.

Ok,about your tone.What kind of microphone did you mic the marshall with?
 
Yeah, I'm a Lawyer

Right the click on the what??? I don't have any targets. Who's scott? Why are you named after a guitar??? I like chocolate pudding because it looks like doo-doo.

(Yes, for the record, I feel like a complete dumbass, but I am glad to know that I can now save about 75% more songs than I've been saving...thanks K).
 
Re: Yeah, I'm a Lawyer

chrisharris said:
Right the click on the what??? I don't have any targets. Who's scott? Why are you named after a guitar??? I like chocolate pudding because it looks like doo-doo.

(Yes, for the record, I feel like a complete dumbass, but I am glad to know that I can now save about 75% more songs than I've been saving...thanks K).

Should I have PM'd that info to you?:eek:

Are you really a lawyer or do you just play one on tv?:D
 
Oh hell no, K. I'd already pretty much broadcast my technical ineptness in MY post. Yours was actually helpful. Besides...what in the world makes you think I'd have a clue as to how to check my "PM's," whatever the hell those are.

:D

What's a TV? (Yes, I Am one of those...what do you call them...Law talking...guys). And I'm gonna' miss church AND docket call if I don't go to bed right...NOW.

thanks again, K...sorry to tack all this crap onto your thread, Scott. But if people are going to be giving and accepting critiques and advice from people here, I think we should all know who the dumbasses are.

Sincerely,
Dumbass Lawyer
 
Hey Kramer I dont have a closet big enough. Ok I admit, I dig the sound of a amp like that at full cry. I can't beleave how many different sounds I can get out of that wall of speakers in the corner of my studio. Phil digs the balsy volume hit as well. The mic is an old 57 sure. I say old. And I know you might say, old 57?, what the?, well I've got this old 57 thats at least 25 years old. Has the words "SOUND LEVEL" engraved at the base. In the 70's and early 80's there was a PA hire company here in Sydney called Sound Level. Must have started life there. I got it from an old (and current) buddy from a band I was in from 79 to 86. John Jurkovich. He's a bit of a Guitar legend (and not in wanky terms) around Sydney. Still. But back to the mic. Its different from modern day 57's. All I can say is its got more tapered fins on the plastic shroud than the new ones do. And it has an extra (unused) taped hole below the usual screw hole for the cable conector pin locator. And has a shallower groove where the chassis screws together. And the sound is a slightly brighter midrange, that I don't get out of my other new 57's. If you ever find an old 57 that fits this description please tell me. Because It sounds great on snares as well. It would sound stupin of me to say its a vintage 57, but it probly is? Freakn weird hu. Fuck I rave on sometimes.
 
chrisharris said:
Oh hell no, K. I'd already pretty much broadcast my technical ineptness in MY post. Yours was actually helpful. Besides...what in the world makes you think I'd have a clue as to how to check my "PM's," whatever the hell those are.

:D

What's a TV? (Yes, I Am one of those...what do you call them...Law talking...guys). And I'm gonna' miss church AND docket call if I don't go to bed right...NOW.

thanks again, K...sorry to tack all this crap onto your thread, Scott. But if people are going to be giving and accepting critiques and advice from people here, I think we should all know who the dumbasses are.

Sincerely,
Dumbass Lawyer

You so crazy.:DYou ought to do a set of stand-up comedy at your next gig and see how it goes over.You already have the material right here:DWhats that you told that guy in another thread about pre-set effects in Cakewalk?Oh yeah,you said,and I Quote " the presets in music software are programmed by monkeys with A.D.D...who are probably smoking crack. " Chris

LMAO!Thats good material man.:DThats funny stuff man.I need to go to bed.......hehe....cant stop laughing over that one.;)
 
I figured it was one of a kind mic that I'll never be able to get my hands on.LOL....kidding......that mic has a bit of history eh?Thats cool...Now I know what to look for in case I run across a Vintage 57!;)I figured you used a 57 but I had to ask.

Thanks for the detailed reply Scott.I'll get to your new song tomorrow.I just gave it a spin and it's top notch, just like every freaking thing you record!
 
all these Austrailians... and Foo Fighters!

This sounded like something off Foo Fighters' first disc (1995)... kinda like a mix of "X-Static" and "Floaty" with those guitars and the major 7ths.

Great music :)


Chad
 
Had to resurrect this one - I just found it in my Keepers folder and listened again. I absolutely love it, and wouldn't change a thing.

Great stuff, Scott.

AB
 
Hey Harris-I heard somewhere you were a real d*ck...but you one funny MF, your honesty is what gets you in trouble but I find it charming and endearing (NOT IN A GAY WAY).Keep it up. :D ;)


Now hey that song rocked!!!!You got great concepts on composition and melody.Good,solid guitar work too.Really enjoyed this song.First I eva heard from ya...it will keep me comin back for more.more.more!!!
 
alibish:...Thanks for the bump. Just checked my email. Wow, things are moving fast around here these days. So many new names in here now too.

participant:...Now I know what a major 7th is. I think. Is it where the first octave goes down one semitone. Cause thats what I did.

W.I.S.C....Thanks mate. If you want more. more. more, go here:-

http://www.feel-rock.com/songs_01.htm
And my animated music video's here.
http://www.feel-rock.com/video.htm


Still at it
Scott Tansley
www.feel-rock.com
 
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