
Sonixx
New member
Setup:
Cobra Amp - Crunch Channel
Cobra Cab - Greenbacks
Mic: SM57 (Top Right Speaker) and e609S (Top Left Speaker)
The guitar was double tracked with each mic to a separate track... so that's four tracks. Two SM57 and two e609S
Stream:
Click here to Stream clip
Download:
Click here to download clip
The short riff is available twice
1st riff alternates between the SM57 and e609S. When a particular mic is heard, it's only that mic in both Left and Right but alternates so the differences are apparent:
Time \ Left \ Right
00:00 SM57 SM57
00:09 e609S e609S
00:17 SM57 SM57
00:21 e609S e609S
00:25 SM57 SM57
00:33 e609S e609S
00:42 SM57 SM57
2nd riff is the SM57 on the Left and the e609S on the Right but not hard panned so you're getting a tad of the other mic in the opposite side.
Time \ Left \ Right
00:00 SM57 e609S
Disclaimer: The tracking for this clip was conducted in exactly the same manner as the MD421 and e609S Mic Comparison . No effort was made to find a sweet spot for any mic. The SM57 was positioned, as much as possible, in the same location as the MD421
Cobra Amp - Crunch Channel
Cobra Cab - Greenbacks
Mic: SM57 (Top Right Speaker) and e609S (Top Left Speaker)
The guitar was double tracked with each mic to a separate track... so that's four tracks. Two SM57 and two e609S
Stream:
Click here to Stream clip
Download:
Click here to download clip
The short riff is available twice
1st riff alternates between the SM57 and e609S. When a particular mic is heard, it's only that mic in both Left and Right but alternates so the differences are apparent:
Time \ Left \ Right
00:00 SM57 SM57
00:09 e609S e609S
00:17 SM57 SM57
00:21 e609S e609S
00:25 SM57 SM57
00:33 e609S e609S
00:42 SM57 SM57
2nd riff is the SM57 on the Left and the e609S on the Right but not hard panned so you're getting a tad of the other mic in the opposite side.
Time \ Left \ Right
00:00 SM57 e609S
Disclaimer: The tracking for this clip was conducted in exactly the same manner as the MD421 and e609S Mic Comparison . No effort was made to find a sweet spot for any mic. The SM57 was positioned, as much as possible, in the same location as the MD421