Yeah.
I like guitar sound of every album which came from Morrisound studio.
It's nice to follow progression of Cannibal Corpse sound, album after album - produced by Scot Burns and Brian Slagel.
It sounds thin, but at lower levels. Earlier albums have much bigger dinamic range than today's standard, and when played with cranked wolume, it sounds like it have to sound - punchy drums and grinding guitars.
Morbid Angel is benchmark guitar sound.
Death is class of it's own, especially last album - clearest production in metal, ever.
Subjectively it sounds light on bass, but on spectral analyzer is visible that it have huge punch in sub-bass region - it's radio-friendly, wont't thrash car speakers, and played on big hi-fi with sub sounds earthshaking.
This kind of sound i can get by cutting bass and boosting mids around 2-2.5 kHz, but it lacks power, and sound thin when recorded.
So, i take signal from distortion out, split it, and rune one channel directly to amp, and other to EQ and harmonizer.
I cut all mids and highs on this second channel and pith it down for one and two octaves.
Mixing two channels at amp input ( i have old modified 4 input Marshall, all-tube ), i get clear sound with attack without ooooooommmph resonances, but with sub-bass that shakes the house. I can compress this second channel, but it sounds extreme.
I think this is the way to get that Death, At the gates or Fear factory sound.
Opinions ?