
TexRoadkill
Audio Bum
sjoko2 said:
However, in this studio we have many sessions with track counts over 60 for normal audio, and well over 100 for film scores. How many radars would you need for that? and what would you need for an editor?? Good systems, no doubt, but very limited in their applications, and expensive with higher track counts
Are you guys mixing that many tracks in the box?