
grimtraveller
If only for a moment.....
In the 80's the first two albums I released were done in my lanai outside.
It wasn't that big a deal. There were birds in a few spots that we left in but, especially considering that there is a busy road 50 ft from where we were just separated by a door, there was surprisingly few problems.
The reason we had very little background bleed I think was because we did all the mic'ing close. That's why when people talk about the room being a big issue I really don't think it is if you close mic. If you close mic it doesn't matter if you are outside in the Grand Canyon or in the best acoustically designed recording studio in the world, the room has almost no effect on the sound, that's what my first two albums taught me.
you could record a straight line in (guitar) to a DAW, then once your take is good enough, you can reamp it in a bunch of cool places to experiment with sounds. The nice thing about this is you already have a good take and now it's just a matter of finding a great place and messing with mics (fun times!) You can also use several mics placed near and far from the amp for a wet and dry channel configurations.
Another idea is to record a whole bunch of outside areas on its own track (or tracks) and your guitar on it's own track.
Great sets of ideas..........but they kind of defeat the object of recording outside to my mind. Unless you want specific effects (and as hollyrocket points out, there are cool methods for this) or are a nature boy/girl that feels good outside, I'm not sure there's any point in recording outside unless you want some of what being outside brings. So bring on the foxes yelping and the cockatoos and the trains and vandals........