FZfile
New member
Hi.
I have a DBX mini pre and I'm experimenting with an ECM8000 to record acousic guitar.
I'm just running the mic to the pre to my VS880 w/ no trim.
Here's the weird thing and my question.
The DBX pre has 1) phantom power; 2) a 20dB pad ; and 3) a phase reverse button.
Why does it sound like i'm applying a bass cut to the signal when I engage the phase button?????
No matter where I place the mic, when I engage the phase button............instant "thinning" or definite loss of bass.
This worked to my advantage for strummy rythym passages.
When I did more finger picking and lead lines I un-engaged the button and got a "fuller" single note sound.
It sounds very much as if I was getting (or losing) a substantial proximity effect, but the mic was left in the same positions for any given set of takes and its an omni mc.
Shouldn't I only hear the phase change affect the sound in comparision or in interaction with another sound????????
-mike

I have a DBX mini pre and I'm experimenting with an ECM8000 to record acousic guitar.
I'm just running the mic to the pre to my VS880 w/ no trim.
Here's the weird thing and my question.
The DBX pre has 1) phantom power; 2) a 20dB pad ; and 3) a phase reverse button.
Why does it sound like i'm applying a bass cut to the signal when I engage the phase button?????
No matter where I place the mic, when I engage the phase button............instant "thinning" or definite loss of bass.
This worked to my advantage for strummy rythym passages.
When I did more finger picking and lead lines I un-engaged the button and got a "fuller" single note sound.
It sounds very much as if I was getting (or losing) a substantial proximity effect, but the mic was left in the same positions for any given set of takes and its an omni mc.
Shouldn't I only hear the phase change affect the sound in comparision or in interaction with another sound????????
-mike
