Patchbay with Reel to reel

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ThedukeOfearl

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I pretty much know now how and what im doing with my dub setup from the thread the other day "teac 80-8(again)need info" but it finished with

The only hitch in your diagram is that you aren't going to be able to connect your instruments direct to the multitrack reel machine. What are you using for mic/instrument preamps on their way to tape?

Does he mean a patchbay? or is there a suggested preamp for my instruments i should get for the Teac80-8?
 
I pretty much know now how and what im doing with my dub setup from the thread the other day "teac 80-8(again)need info" but it finished with

The only hitch in your diagram is that you aren't going to be able to connect your instruments direct to the multitrack reel machine. What are you using for mic/instrument preamps on their way to tape?

Does he mean a patchbay? or is there a suggested preamp for my instruments i should get for the Teac80-8?
 
Does he mean a patchbay? or is there a suggested preamp for my instruments i should get for the Teac80-8?
I've never done quite what you're doing. I mostly work with synthesizers so I don't strictly need a preamp for each channel.

Your setup lists bass, drums, piano and guitar. I don't know if you're going to be mic'ing all of those (the bass and lead guitar could be direct-injected, piano and drums too if they're electronic rather than real), but anything that does require a microphone will require a preamp (especially if it's a condenser mic requiring a 48v power supply).

A patchbay will not do the trick - it's used for signal routing. It is literally a unit containing pairs of sockets which you can join together to make plugging things in and unplugging them easier. A preamp is an amplifier, generally one used to drive a microphone.

The way I personally would do it would be to get a mixer or something with 8 bus outputs and use that, since they normally have preamps built-in and would allow you to apply EQ on the input signal. This is how I work except that I don't need 8 outputs because I build songs up layer by layer. Someone else would have to recommend suitable hardware.

The other option is to get a dedicated 8-channel preamp unit. The Studio Projects SP828 looks like it should do the job, but it's not exactly cheap and have no idea how well it works. I was hoping someone else who records live could make a recommendation.

Oh - a completely crazy idea would be to get 8 Behringer MIC-100s or something. I can't say I'd recommend it, but it would come out cheaper than many of the 8-way preamps.
 
ThedukeOfearl,

I PM'ed you. It can be done with your current gear. A little tricky but it can be done.

jpmorris is spot-on with his explaination of the patchbay. It is a totally passive piece of gear that just makes patching more convenient. Alesis has complicated the terminology by labeling the I/O section on the Multimix8 as a "patchbay". Its not what would normally be called a patchbay per se.

Get back to me on my PM and we'll get you going.
 
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