panning close, overhead and ambience mics

  • Thread starter Thread starter ik25
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ik25

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I've recorded just a snare using 5 mics. 1 close right at the head, 2 overhead about 2 feet above and 2 ambience mics 10 feet away. I was wondering what is the best way to pan these 5 mics?
 
ik25 said:
..I was wondering what is the best way to pan these 5 mics?
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What do you want them to do? What are they supposed to sound like?
Wayne
 
5 for just a snare? what special effects sound can be achieved with this? What true sound did you get using this techniques?
 
olfunk said:
was the rest of the kit not being played at the time?
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I am just testing the snare before I setup the whole kit. Since the kit will have close mic, overheads and ambience, I just wanted to know what is the best way to pan a single snare with 5 mics. I was thinking close and 0, overhead at L50 & R50 and ambience at hard L100 and R100. What do you think?
 
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