B
bennyho
New member
Side chaining using drum triggers ??
I have two reasons for this question but I believe the implementation would apply to both situations.
the two situations Live recording of rehearsal (heavy rock, loud volumes), Stage Volume (more proximity issues from amps and drums)
OK the noob is about to be unleashed.
I have seen in many live videos of drummers these days using DDrum redshot triggers on their toms. (for example on sevendust double wide DVD you see Morgan using DDrum redshots on his toms
in interviews and forums at first i thought he was triggering drum samples but i also saw mics and someone pointed out that he was not triggering samples but actually using them to side chain a gate to open at the instant he hit the tom and that no other instrument on stage (would work great recording live rehearsal) could trigger the gate keeping the signal clean.
Now I understand the principal what im missing is the path from the trigger to the gate.
I have 4 behringer composer 2200's with side chain capability which i do not need as a compressor i can use them as gates but so far i cannot prevent the bass or a snare from opening all the gates without making it so strong it cuts the decay or ghost work out.
the trigger seems to solve this issue. But before i go buy a bunch of redshots..does anyone know if he would be running these into a drum module then to the sidechain so it is producing a tone into the side chain or is the pizio trigger itself sufficient to cause the gate to open.
I have two reasons for this question but I believe the implementation would apply to both situations.
the two situations Live recording of rehearsal (heavy rock, loud volumes), Stage Volume (more proximity issues from amps and drums)
OK the noob is about to be unleashed.
I have seen in many live videos of drummers these days using DDrum redshot triggers on their toms. (for example on sevendust double wide DVD you see Morgan using DDrum redshots on his toms
in interviews and forums at first i thought he was triggering drum samples but i also saw mics and someone pointed out that he was not triggering samples but actually using them to side chain a gate to open at the instant he hit the tom and that no other instrument on stage (would work great recording live rehearsal) could trigger the gate keeping the signal clean.
Now I understand the principal what im missing is the path from the trigger to the gate.
I have 4 behringer composer 2200's with side chain capability which i do not need as a compressor i can use them as gates but so far i cannot prevent the bass or a snare from opening all the gates without making it so strong it cuts the decay or ghost work out.
the trigger seems to solve this issue. But before i go buy a bunch of redshots..does anyone know if he would be running these into a drum module then to the sidechain so it is producing a tone into the side chain or is the pizio trigger itself sufficient to cause the gate to open.
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