MB, I didn't see that you had posted the link. You're a good contributor to the forum and always take time to reciprocate by commenting on others' tracks. Sorry that yours got overlooked.
The backing synths work well except for some annoying cymbal patches. There are a couple in particular. One sounds like a crash, the other an open hat maybe. They both have more sizzle than body and make nuisances of themselves every time they show up--which is often. Nice bass patch and sound.
The melody is engaging in place. As usual, I'm not crazy about your lead synth patches. They are not overbearingly loud as has been the case in first mixes of earlier songs.
However, there is an issue that stands out #1, above any other, in all your songs. I've written the same about every previous one, and maybe I should just stop writing it. But I must, if I'm to comment honestly. The problem is phrasing. Once one of those lead synths takes off, it does not stop, ever, not even for one measure, barely for one beat. It just goes on and on and on like the Energizer bunny. Then another section comes, another synth patch, and off it goes, on and on and on. I am missing some of the fundamentals of melody composition here: Pauses, rests, phrases that begin and end within some reasonable number of bars so that the listen can take in the phrase, retain it in memory, recognize it when it repeats, etc. I guess our musical sensibilities just aren't too compatible. You can come with some great melodic ideas--that bridge section that I pointed out in your previous song. But most of the time, the lack of phrasing defeats it for me.