O
ofajen
Daddy-O Daddy-O Baby
OK, so I've been using analog gear for, what, 23 years? Now I'm starting to learn more of the digital side.
So, I'm tracking and mixing and whatever with Live 5.2 on a Mac G4. When I mix, I can either "Render to Disk" or use the S/PDIF output to mix to my MicroTrack and then port the .wav file back in via USB.
Question 1: Is there any particular reason to expect things to sound much different between using those two methods, in terms of the stereo output file?
OK, now I have a 24-bit, 44.1 kHz stereo mix. I tend not to want to mess with things much toward the end; I try to do smart things up front. But still, I need to process a bit, dither down to 16 bit and produce files I can listen to in a CD player.
Question 2: Any recommendations for Mac-savvy software for mastering? I could spend $300, maybe $500 for good reason, but not much more.
Finally, as a compensation for selling some of these fine, wide-track analog machines which have useful meters on every channel, I'm planning to buy myself a Dorrough meter. I could connect the digital version via the same S/PDIF I will use if I'm mixing to the MicroTrack.
Question 3: Can an S/PDIF output be multed to two inputs (mix recorder and digital meter) or is there a buffer that could enable that?
Question 4: Would I be better off to just get an analog Dorrough meter and feed the +4 analog mix out to it?
Oh yeah... My G4 machine is enormously loud relative to my studio, which is way quiet. I isolate my 1" 8 track via a custom built housing to keep the transport and fan noise off my recordings.
Question 5: If you track in the room where your computer is located, how do you isolate the fan noise from the mikes when tracking? I'm thinking of building a similar, heavy housing for the G4 box that can be closed when recording, except for a muffling port out the back that will allow some airflow from the fan but damp out the noise using fiberglas insulation and a bend.
Thanks in advance for your help!
Otto
So, I'm tracking and mixing and whatever with Live 5.2 on a Mac G4. When I mix, I can either "Render to Disk" or use the S/PDIF output to mix to my MicroTrack and then port the .wav file back in via USB.
Question 1: Is there any particular reason to expect things to sound much different between using those two methods, in terms of the stereo output file?
OK, now I have a 24-bit, 44.1 kHz stereo mix. I tend not to want to mess with things much toward the end; I try to do smart things up front. But still, I need to process a bit, dither down to 16 bit and produce files I can listen to in a CD player.
Question 2: Any recommendations for Mac-savvy software for mastering? I could spend $300, maybe $500 for good reason, but not much more.
Finally, as a compensation for selling some of these fine, wide-track analog machines which have useful meters on every channel, I'm planning to buy myself a Dorrough meter. I could connect the digital version via the same S/PDIF I will use if I'm mixing to the MicroTrack.
Question 3: Can an S/PDIF output be multed to two inputs (mix recorder and digital meter) or is there a buffer that could enable that?
Question 4: Would I be better off to just get an analog Dorrough meter and feed the +4 analog mix out to it?
Oh yeah... My G4 machine is enormously loud relative to my studio, which is way quiet. I isolate my 1" 8 track via a custom built housing to keep the transport and fan noise off my recordings.
Question 5: If you track in the room where your computer is located, how do you isolate the fan noise from the mikes when tracking? I'm thinking of building a similar, heavy housing for the G4 box that can be closed when recording, except for a muffling port out the back that will allow some airflow from the fan but damp out the noise using fiberglas insulation and a bend.
Thanks in advance for your help!
Otto