Thanks for the comments and tips, gents!
There are definitely a couple places where the guitar/drums need to be tightened up. I get about 6 hours every 6 months to get behind the drums these days, so it'll have to be "stick em on a grid" instead of "play it again". unfortunately.

I'm just not as practiced on the skins as i used to be.
I don't think i've ever heard that Incubus (suckubus?

) song, but wow, those are some similar chords. I could totally do without the shirtless guys. :-|
Guitars have no delay on them at all. That's 4 separate guitars you're hearing (2 mics on the cab). The verse has 2 guitars, one each panned hard left and right, and the crunchy guitars (2 more) are about 60% L/R (also 2 mics on the cab). There is a slight amount of reverb on the verse guitars. I wanted to sense it but not hear it. I've gotten to the point where i don't really like to hear reverb.
Tone-wise on the guitars, I pretty much nailed what I was going for. The verse guitar is a $70 chinese epiphone LP Jr that I've put a Duncan Pearly Gates into. Ran it straight into a '67 Fender Bandmaster cranked to 10 (rolled back on the guitar's volume a little to clean it up). The cabinet is a home-built one with a 12in Eminence Red Fang and a 10in Eminence Copperhead. Sennheiser 421 was on the Red Fang and a 609 was on
the Copperhead.
Crunchy guitar tracks are an '83 Strat with a JB Jr in the bridge, into an old 4-knob Menatone King of the Britains, into the same Bandmaster (this time with vol around 8) and the same cabinet, mic'd the same way.
Guitar mics went to separate tracks, but were panned to the same place.
I'll see what i can do to brighten up the vocals--i tend to like dark reverbs (usually roll off the highs on the send) but i'm thinking a brighter reverb might take care of both dressing up and brightening up the vocals somewhat.
I intentionally went dark with the vocal....I was looking for a Lou Reed/early Velvet Underground sort of vibe. Maybe I missed the mark on that.
Drumwise, i hate the snare sound. But I can never get a sound i DO like, so it's at the drum. In this case, i actually reamped the snare through a vibrochamp lying on its back with another snare sitting on top of it. that helped immensely. But i still don't like it.
I need something at the end of the song (aside from ending it earlier/fading out

).....thoughts?
cheers,
wade