
You have a great balance of all the parts - and a very compelling vocal on top of things - how did you get the guitar so loud but not interfering with anything else? The arrangement is part of it to my ears - but in the Chorus it’s unusual - is it eq and compression?I actually have a full video of this one to share once we get the mix finalized. Any comments appreciated. Thanks!
2 The mando's panned right and fiddle left, but it's opposite in the video.
1 When the band's full on, the mando sort of disappears just a b-i-t. That's okay. But would it be better if it maintained a better presence?
2 The mando's panned right and fiddle left, but it's opposite in the video.
3 Really, really good work.
4 I've never miked something like that, with two mics. Do you have to deal with phase issues?
Damn ... I've had all kinds of issues with this. It'll seem fine, and then all of the sudden, I'll notice a timing issue.When talking about the video, in the beginning the strumming of the guitar didn't line up with the audio either.
Thanks much for the listen and comments. This is not an original; it's a cover of a Fleet Foxes song.This is quite nice. Well recorded. Well performed. I also noticed the guitar strumming in the beginning being not in time, but it's pretty much a nit. Is it an original?
You mentioned there being no bass and therefore nothing to interfere with the guitar. But I usually find that the vocals lie in the same range too. My solution normally is to pan the guitar(s), but you managed to keep them out of each other's way without panning. Could be the female voices (I typically only record male voices), or maybe it was your use of eq.
Anyway kudos. Well done.
This is not an original; it's a cover of a Fleet Foxes song.Thanks much for the listen and comments. This is not an original; it's a cover of a Fleet Foxes song.
The acoustic is actually panned a bit left, but not too severely - maybe about 40% L.