pandamonk
Well-known member
I'm sure there are mics that would do the job, and if you were in the UK i could dfinitely remmond a few, but I'm not really sure what to recommend.Thanks for the suggestions on the mics panda.
I'm in kind of a small room which is why i worry (but dont really know) about using an overhead mic. Secondly, I hate to admit it but money is definitely an issue as I took out a guitar center credit card to get the majority of the gear i have: digital reference drum mics, digital reference dynamic mic, 10 ch yamaha mixer, m-audio monitors, and cables(but its one year no payments and no interest so i have been chipping away at that one and it should be $0 in 4 months)...not to mention the two inspires that I got for $85 each (which about the best deal for that kind of money i think)
The point: can i get lower end mics? can you suggest any?
The way I look at it is unless everything i have is high quality, I am wasting my time with just a few expensive pieces of equipment. ie: having really good mics without buying the $40 monster cables for each of them....
I would be willing to spend about $100 more dollars...i know thats pitiful but its tight right now...probubly used would be the way to go correct?
Yeh the condenser overhead would pick up more of ther room sound, which is bad when it's small. But most people tend to want an overhead mic(s) to pick up and overall sound of the drums, AND cymbals. If you can get enough of the cymbals with the dynamics closemiked on the drums, then don't bother, but i'm quite sure you'll need an overhead, esp if you want the cymbals to sound good. The mics I recommended aren't really "expensive pieces of equipment". The SP B1 is a good BUDGET mic. There are much better, and more expensive mics out there. And i'd say cables are probably the last thing you'll need to upgrade. This is my order of importance for recording:
- Music(the song has to sound good)
- Experience(you need to know what you're doing)
- instruments(need to sound good)
- acoustics(the room needs to sound good, and control room needs to be as flat as possible to hear what you've recorded)
- monitors(need to be able to hear what you've recorded)
- mic(need to be of decent quality to pick up the sound well)
- mic pre(needs to amplify the signal well)
- convertion(needs to convert well)
- cables
They obviously need to all be of decent quality, but if i had everything and had to upgrade, that is the order i'd do it. I think it's an order of what makes the most difference to a recording. Cables make only the very slightest of difference, if any(inaudible). The difference between 24-bit 48kHz and 24-bit 192kHz, is almost inaudible, only to the top engineers. The difference between pres is audible, but not hugely. Mics have quite major differences... and so on...


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