
Stratomaster
Active member
Matt303 said:[in all cases I (and the other instaumentalists) know the drum patterns and grooves better than the drummers because we learn them. Why the hell should I pay the drummer the same when they put no work into learning the material when the drum machine comes for free, can keep time, doesn't monopolise the stage when setting up and it not shit faced by 10 pm? [/B]
Ha Matt that sounds familiar-It's hard to find that drummer who can interpret what we think are the obvious beats that the tune suggests. The one I have can't-but on a technical level, he's the best player in the group-kinda wierd...When I see a group with a great drummer-who can both take charge and lay back-plays With the other players and for the song, the band is always great-regardless of style. Those guys are hard to find....
Machines do sound pretty damn good-but it's kind of a cheat-if you want your recording to resemble the sound of your band...A drummers sound should be part of the band-like Stew Copelands snare-John Bonhams bass drum-Neil Pearts toms....(my boy can't tune 'em either)......As well as their touch-amazing how many different sounds are at a drummers disposal.
Anyways-my guy is doing ok....He knocked out like 3 drum tracks in a week-then spent 3 weeks on one-after I finally went in and played an acceptable version-it "inspired" him to basically ape my version (with a little better rythm-better rolls-but still less touch).........so maybe we're making progress.....(good thing I grew up with a drummer/drums in the house)......