Mono Acoustic & Vocal, and Extreme EQ

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junplugged

junplugged

Taking the slow road
I am recording acoustic guitar and vocal at the same time onto one track, dry. I wanted to try an omni, so the only one I had was an ECM8000. Knowing the high hiss, I set my pre to some setting that had a warmer sound.

The result was a very midrangey sound. I ran it thru a compressor and for some settings, it was odd, the vocal was cut way down but guitar was still there, so then I decided to only use it as a limiter to help with the spikey vocal. I compared it with the bypass and when not limiting it was the same so this was ok.

Next I EQ'd a lot of different settings and then just by chance I tried the extremes also and found that +6 dB of High, and -12 dB of 800 Hz centered mid actually sounded good. Except for the hiss that's enhanced now, this sounds darn good. So I'm wondering if there's something wrong here since these are such extremes in EQ'ing.

The EQ is not telling me the bandwidth and I can't adjust it. I'm getting a different one very soon, maybe I could shelve the top to cut hiss? But I like the vocal up there.

One thing this did, I noticed, was kind of separate the guitar from the vocal, where they were kind of fighting in the same range before.

The other thing that helped this mono track is stereo reverb. It opened up the sound and it doens't have that one-dimensional sound to it anymore. Eventually, I'll dub some simple guitar around the sides, and add a tightly integrated bass and maybe some drums for effect towards the climax near the end.
 
If you know the mic has a hiss problem, then buy, borrow, rent or steal a better mic or better yet, two mics. Mic the vox and guitar separately and run them to separate channels, so you can compress and eq each as needed.
 
I know, that makes sense, but I was trying to figure a way to do a more distant mic thing, but I play loud and if I'm not projecting all the time w/ my voice, it gets covered up. And I got this idea to use the omni and get some room in there.

So I can go back to my directionals, point each away a bit, or try it again but perform it so that i'm more aware of muting the guitar or playing it softer at those places my voice isn't as loud. That kind of makes sense anyway, to learn to do. It's easy to get used to being at the mic on a PA and not worrying about that.

Ok, more recording.
 
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