Mindprint Envoice or dbx 576

  • Thread starter Thread starter mcr
  • Start date Start date
thanks Tom,
so, when buying the 500 series the extra money goes into the extra features (EQ, limiters, better meters, more ins/outs, ...). I can see why this would be worth more moeny. I use the RME Multiface ... hence not need for the dbx converter.

TexRoadkill,
I was thinking about such a Grace/RNC combo as well (or even a DMP3 with RNC). However, what deters me from the Grace is the almost non-existent metering. I do want to see the incoming and outgoing signal levels.
The reason I would want to use EQs pre-recording is that even the cheaper outboard EQs are better than their software buddies. I do as much as possible within my DAW but in order to have something good to play with, the recorded signal must have a certain character already. That's the very reason people buy expensive pres, comps, and EQs ... because even in a DAW, you can only work with what you put in.

The cool thing about the dbx 576 is that it can be used as two completely separate units: a preamp (+ EQ) and a comp. I found a place where they sell the dbx 576 for $599 (online). Essentially, this is $300 for one 586 pre and $300 for one 566 comp which seems like a great value. I trust the many great opinions on the Grace 101 but possibly this is more of a sound-character issue. Rip Rowan from prorec couldn't find enough words to praise the 576 pres ...

Maybe what I should do is get a 576 now and later get the RNC as a second comp and some other 2nd pre (maybe Grace). Then I can use any combination of the four. The thing I don't like about the Mindprint is exactly that I don't have this flexibility ...
 
Say no to bad gear . . .

More below . . .
 
Last edited:
I do stand corrected on the whole issue of whether the 576 has the a/d conversion "built-in," or whether you have to purchase that separately. However, in many instances, you will see offers for these things WITH the a/d converter, so I would factor that in to the equation.

Now without ruffling any more feathers here, I would just like to point a few things out. MCR, it's too bad that our search function isn't quite what it used to be. Before all the problems that happened with the site, you probably could have dug up a lot better info. regarding these two units. Just to help you out, I'd like to share some of my findings after doing a similar comparison between the Mindprint and the DBX several months ago:

1) If you were to have done a similar search last month using "dbx 576", "dbx silver," "dbx 586," or something similar, here is what you would have found: * Almost no positive comments from any users. * Almost no comments period * A lot of unanswered threads like yours, where someone would ask whether or not anyone had experience with the dbx, and not get a response.

(On the subject of the Grace 101 : That one is just in another stratosphere altogether. The amount of positive reviews you'll find on this one from people who are actually "in the know" speaks for itself.)

On the otherhand, were you to have done a similar search on the Mindprint envoice, you probably would have gotten several pages worth of comments, mostly high praise from satisfied users. One comment I remember off the top of my head: "Just get a mindprint and your mixes will thank you." (can't remember who posted it) Lots of all-capital letters and big, bold-lettered statements with exclamation points, etc.

I've always likened fans of the Mindprint Envoice to Doors fans, Greatful Dead fans, and Trekies. Kind of a cult-like following. I almost wonder if they're like Frodo's ring, taking over the minds of those who buy it, making them go around singing it's praises like a bunch of silly fools. :)

The dbx's seem to have a similar way of posessing the minds of their owners. Only instead of making them sing it's praises, it makes them want to run out and sell it!

Try this with me:

Do a search for the mindprint envoice on ebay:

http://search.ebay.com/search/searc...&ht=1&SortProperty=MetaEndSort&query=minprint

Hmmm (headscratch), no luck, huh? Now try a similar search for "dbx preamp" and see how many of the silver series preamps pop up.

http://search.ebay.com/search/searc...=0&st=2&SortProperty=MetaEndSort&BasicSearch=

Actually looks like a slow week for the dbx silver. :)

Now I'm no expert on this, but from what I can surmise, there seems to be an awful lot of people trying to sell their dbx's. Yet finding a used mindprint envoice on ebay is kind of like finding something attractive in Windowman's bed that isn't in the pages of his Hustler magazines. It just ain't happening. The really peculiar part of it all is that, judging from the amount of responses you get on forums like this one to the dbx silver series, you'd think no one owns one. Yet, for something with so few owners, there sure are a lot being sold on ebay. You can make your own conclusions from there. I'm just trying to point out some observations.

On the review you mention, Rip Rowan included links to the work he did with the Happiness Factor, which is posted on MP3's web site. Supposedly this preamp, which he loved so much, was used extensively on the song "Hold" which he mentions in his article. Keep in mind this is only my personal opinion: but I was not impressed at all. It may not have had anything to do with the preamp, and we all know that transfering to MP3 format can wreak havok on an otherwise good production. Listen for yourself:

http://artists.mp3s.com/artists/167/the_happiness_factor.html

It's obviously a sound Rip likes, but I can think of cheaper ways of making my tracks sound low-fi, thank you. :) Again, the beauty of it all is that it's there for you to hear and for you to judge. It seems fishy that he (Rip) is the only "reviewer" ever to praise it so highly. Maybe Rip at Prowreck is just a visionary and a prophet. Bringing knowlege to the deaf masses. I somehow doubt it.

For what it's worth I was actually able to dig up some opinions from the archives of rec.audio.pro, a forum that has professionals in the industry who makes us all at homewreckording.com look like the bunch of amateurs we are:

* (on a question about the ART Pro channel and dbx 576) "I have had both of them in my studio as loaners . . . If these were the only two pre's on earth and I was going to have to choose between the two, the DBX would be my choice. If Mackies were also on the menu, I'd choose the XDR's in a VLZ Pro mixer to both of these preamps." - Doug Joyce, Animatrix Studios.

A few more:

* "I just tried one of the new silver 500 series tube pres and didn't like it at all. Maybe it was a dog, but the signal was really smeared and compressed. And not in a good way." ("Matt)

* I dont know how DBX let this thing out the door." . . . "If you're a professional looking for good mic preamps, keep on looking." - Brad Sarno

* "I also use the DBX 576 (or 586, the one with the comp instead of two pre's) and I love it. It is a great companion to my d8b's neutral/sterile sound. The tube sound is subtle and warm." Lawrence Farr, Northwest Sound Recording.

* My advice: Call a reputable dealer such as Klay Anderson (Utah) or Mercenary (Never bought anything, but the attitude is fabulous). And buy a HIGH quality Micpre that will outlast your momentary impluses." - Michael Schoenfeld, Michael Schoenfeld Studio.

----------------

Interestingly Mr. Shoenfeld also mentioned something about the dbx silver and the Digitech VTP-1: "Inside info: (Utah/DBX?Digitech) accuratly state that indeed, the 586 and the Digitech unit are Indentical for all intents and purposes."

The Digitech he is refering to is the vtp-1, ANOTHER unit that seems to be flooding the used market. Usually goes for around $300 on ebay . . . about half the price of the dbx. Based on that bit of "inside" info, I would be inclined to do some more digging and find out if the digitech is indeed as similar to the dbx silver series as some suggest. At least then, if you don't like it, you only spent $300 on it.

Now I've been known, at times to antagonize Bruce, a.k.a Bluebear about this issue alot. Bruce happens to be the poster child for the anti-fake tube society. :) In other words, the dbx silver series uses a hybrid tube design -- it's not a "real" tube preamp per se, although it uses a tube for added "flavor" if you will. Bruce takes the opinion that any of these designs are crap.

I disagree with Bruce that they are "all" crap. And my reasoning is that I have heard many great sounds coming out of the Mindprint Envoice, another "Hybrid Tube" design that seems to "get it right." And I know I'll get flamed for this, but I love the ART Tube MP as a D.I. box. In theory, there is nothing wrong with a hybrid tube design, as long as it is done right, and as long as you know what you are getting in to.

My fear is that the dbx models seem to fall much more in to Bruce's "crap" category (pile? :) ) regarding the hybrid tube models. At least it rather suspiciously seems to look and smell like it belongs there.

That said, don't take my word for it -- make your own conclusions from some of the things I mentioned, and keep asking around.
 
Last edited:
thanks chess, your post does make me think ... very helpful and you've got a point.

I was already suprised how little I could dig up when searching for "envoice" "dbx 576" ... almost nil. It's sad to know the info is there but no accessible.
 
chessrock said:


1)

On the review you mention, Rip Rowan included links to the work he did with the Happiness Factor, which is posted on MP3's web site. Supposedly this preamp, which he loved so much, was used extensively on the song "Hold" which he mentions in his article. Keep in mind this is only my personal opinion: but I was not impressed at all.


.

Chessrock, neither was I


at under $700, neither the dbx nor the mindprint would be my choice.

The sytek won an award in 1998 for quality and a reviewer said that no other pre can touch it under $1500. They seem to think its a transparent "straight wire with gain" pre. I dont think so. I think it has this faux tape sound that works great sometimes and sounds cheesy other times.

I used the sytek on the vocals on "I never realized" and "I'm begging please"

www.nowhereradio.com/jaguarslogic

$750, you've got the peavey vmp-2, and I'll tell you right now, its mad. THe s-o-s reviewer did not like it because he claims it has a 70s analog sound. duh, like we are not all looking for that 70s analog sound . On vocals, it sounds plain fantastic. I heard that changing the tubes in it also does wonders to the high end.

Everybody seems to like the grace 101, but I'll take the joemeek vc1q over it anyday, cos the joemeek is a beast of sound.
 
You know, I've seriously been considering the sytek myself, but I have this ritual where before I seriously consider purchasing any piece of gear over $500, I will look the company's number up on their web site and give them a call.

Sometimes I'll ask about their return policy, and sometimes I'll even make up a problem, for example: "My sytek just spontaneously combusted! Can you connect me with technical support." Something to that nature. I want to make sure that if something goes wrong, that I can take it back, or that someone will be there to answer questions at the very least.

Well, no such luck with Sytek. I've emailed their customer support once, as well as the owner of their company to no avail. I've also tried calling them directly with no luck either. They're supposedly located in Chicago, so I just figured I'd drive by one day, believe it or not, and I couldn't find anything resembling a factory or business at their supposed "address."

It's too bad, because they would have had a new customer in a heartbeat if they would have been around. I agree, the Joemeek is just sickeningly good. :) And I hate the fact that Alan Hyatt gets flamed so much. Hello! I don't think if anything went wrong with my Joemeek that I would have any trouble at all getting that guys' attention. :)
 
A 500 series owner...

Hey folks,

I just wanted to chime in. I own the 586 and the 566, thought I would share my experience with them.

I've had them for about a year, and got them as an upgrade from an Aark DirectPro 24/96, and Behringer mixer. Neither one was particularly great, but the 5 series has made a profound difference in the sounds I am getting now. For my purposes, they are providing a much more open sound, and I find them very flexible, able to dial in a tranparent sound as well as a colored sound with the tube saturation when I want it.

I am happy with them, but don't have much experience with high end gear for a great comparison. Most of my other gear is in the prosumer range, and I find these units fit well in the mix of things. The main praise I can give them is that they do not limit me like the stuff I was using previously.

I find that when it comes to gear, "if you can't tell the difference, there is no difference". If I find myself compromising my sound through these units in the future, I'll start looking for an upgrade. But for now, I find them to be a vocal channel that provides good levels with a sound I am happy with.
 
CyanJaguar said:
The sytek won an award in 1998 for quality and a reviewer said that no other pre can touch it under $1500. They seem to think its a transparent "straight wire with gain" pre. I dont think so. I think it has this faux tape sound that works great sometimes and sounds cheesy other times.

$750, you've got the peavey vmp-2, and I'll tell you right now, its mad. Everybody seems to like the grace 101, but I'll take the joemeek vc1q over it anyday, cos the joemeek is a beast of sound.
C Y, not to diss you, but I already mentioned these (Sytek MPX4aii and Peavey VMP-2) to MCR....
But I think MCR needs more than 'just' a gainstage (what the Sytek is). He wants EQ, comp, de-ess-stuff....
And yeah, he definately needs to check that Joemeek VC1Q!
 
speeddemon,

I was just reiterating and strengthening your post.

chessrock,

Isnt that funny? I looked for their webpage all day and could not find it.

If mcr wants an all in one, I would definitely go for the vmp-2.
 
I thought we were talking about the dbx vs. the Mindprint. :)

Ha ha. The eq is somewhat limited on the Peavey, and it doesn't have a comp, but hell, it does have preamp, and it has EQ for around $600.

Alright, my friend. The Cyan and I have both decided that you should get yourself the Peavey, and an RNC to go with it. Get a Behringer Composer if you have to, but you must have the Peavey. Come to think of it, I think all of this talk has pretty much convinced me as well.

I'm getting one, whether you do or not.
 
Yea, yea. I want it I want it. Who the hell sells these things?

(Too bad I'll have to hold off on the TLM and the Distressor.)
 
Hi Schwa,
thanks for your qualified and positive input. Was nice to hear something good about the dbx for a change ... and a change it is indeed. I finally came up with the smart idea of searching the groups section of google and OH MY GOSH ... people hate the Silver Series. I mean, it took a long time to find some good opinion about them.

Chess, your one post with the quotes was actually a quite positively biased sample of what I found. Just to show how much I searched and read: I found ALL of the quotes provided by Chess ... and he must have put effort into finding a single good one. I must say I'm quite surprised.

The opinions on the Envoice were also far less glowing as some might have expected but people did use a significantly larger amount of positive remarks. BTW, I mainly tapped the pro.rec discussion forum database (just that the google engine was more helpful at turning up results than I was able to obatin before). Anyways, it seems like people had a generally negative attitude towards below-$1000 gear, but the dbx got a LOT of bashing (whilst the envoice only got a bit ;) )

Speed,
I'm not entirely sure as to what exactly I'm looking for. I mean, I wanna have one quality recording line (maybe a second in the nearer future). So, I reckoned I'd need a preamp and a comp as essentials. An EQ and especially a limiter are quite handy for recordings to DAW. A de-esser is smoosh ... can do that inside Cubase.

Could you guys tell me how important level metering is for you? The Grace 101 doesn't really offer a lot of that and I thought that's quite a shortcoming. Am I wrong here?
 
Actually, that's a pretty good idea.

Getting a 528 used off of ebay and sending to Audio Upgrades (Jim Williams) seems to be all the rage these days. They basically take older pres like the 528, yank a bunch of parts and replace them with better ones, so you're essentially getting a newer and better preamp. With the 528's I believe they just replace the whole gain stage with a better, more quiet and detailed one:

www.audioupgrades.com

You could do another google search, and use keywords "audioupgrades" and "528E" or something like that. You'lll notice a lot of people sing some pretty high praises for that setup.

It doesn't matter anyway, because Cyan and I decided that you are getting the Peavey. :) Oh, that's right, I remember now. That was ME who decided on the Peavey. Still haven't changed my mind. Love the sound of those vmp2's. Wish that tax money would hurry up and get here.
 
now,

thats a very good idea about the 528. I had one and its very good for its average $150-200 going price on ebay.

when comparing a solo vocal, its preamp section was not as sparkly as my sytek( with a dynamic), but it provides a very solid image that acquits itself well on many lead vocals.

Listen to hard2hear's last effort in the clinic to hear what I am talking about.

The compressor and eq are also very useable. At the prices its going for, you can buy maybe 4 for $ 700.

If you want to go that route, get a 528 or two and make sure to have a joemeek vc6q or 1q. It will provide a different sound thats also excellent
 
Hey Cyan, you wouldn't happen to know of any reputable dealers who might be have an extra vmp2 or a couple lying around, do you?
 
mcr, limiter.....

Problem with the beloved VC1Q is, he doesn't have an output limiter. The Voicemaster has, the MX60 has (not the best of the best), the dbx Silver series has (seems a nice one with the type IV stuff) and the Envoice...I forgot. Fill me in.
IF the Envoice has one, and Sytek, VMP-2 doesn't cut it for you, I'll suggest you go for the En-Voice, because it has the optional DI-MOD, a very comprehensive EQ (with bypass buttons for each section:low/mid/high) low and high are semi-parametric, mid is fully parametric.

Choices, choices.... It's like having to choose between Neve Campbell, Jennifer Love Hewitt (i'd go for her, bigger boobs! :D ) or Alyssa Milano.... ;)
 
hey chess,
thanks for deciding for me - you're in line right behind God and my wife .... ;) ... if only I were man enough to make a decision, damit.
(btw, there's a VMP2 on ebay at the moment http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=854315553)

You guys seem to be talking about the 528. The 528E on the other hand looks like a more evolved member of the species or do I see that wrong? The 528E just a repackaged 528?

lol ... just got a call from a friend who reminded me of how "great" the Drawmer MX60 is (preamp, comp, EQ wise). As if yet another choice made my life any less miserable.
 
chessrock,

sorry, I dont know where to buy a vmp2.

mcr,

the 528 e uses a different eq section than the 528. Sjoko2 thinks the original 528 sounds just as good if not better. He has nice 528s in his studio
 
Back
Top