J
James HE
a spoonfull weighs a ton
We are exspanding the studio, hopefully by march we'll have a MOTU 24i and a Mackie 1602 (or that's the plan for now) My drummer's kit looks like something held over from an 80's hair band
It's a 9 piece kit + Rototoms + timbales + lots and lots of cymbals. All in all we'll have 19 mics for drums. (yes, I said 19! we'll have the inputs, why not!) We've compiled our list, I just wanted to see what you guys thought about our choices...
Overheads- AT 3525's
Kick- ATM 25 (or Beta 52)
snare (top)- SM-57
snare (bottom)- SM-57
timbales- sm-57 (x2)
Rototoms- SM-57 (x2)
10" concert tom- SM-57
Rack toms
11", 12", 13" Audix D-2 (x3)(?)
Floor toms
14", 16" Audix D-2 (x2)(?)
22" Gong drum Beta 52 (or ATM 25)
ride AKG C1000s (or ?)
hi-hat Octava MC012 (or ?)
room mic NT-1 (cuz I got it)
I already have 4 57's, the Beta 52, the ATM25, and the NT-1.
I'm not sure about the Audix mics on the double headed toms, but we can get a deal on them for $100 a piece. I'd use 57's on them, but we need something a little more low profile, to squeeze the mics in with all the cymbals and whatnots. (that reminds me, where can I get right angle XLR connectors?) If we could afford Shure beta 98's, it'd be a no brainer. The other low-profile options in our price range are the Sennheiser e604, Beta 56 or the AT pro25. The stick man's getting the dynamics, so that's his call really. (i.e. help me talk him out of the D-2's!
) Hopefully we can audition all of the above to see what we both like.
For ride and hi-hat it's a little blury. A small condensor for sure. I heard Ed say he liked the c1000 on ride (but nothing else) I guess I'd like to test that theory. The MC012 on hi-hat seems like a safe bet. I'd be using these for other stuff too, like percussion overdubbs and acoustic guitar tracks. I'm thinking having one of each would be cool so that I could choose and experiment depending on the application. Or I could just get a pair of MC012 and forget it. I don't want to spend over $350 for the two though, so that means Guitar center for the Octava(s).
I'm curious, who's ever miced up a kit this size? Nightmare? or intresting adventure? (so far it's been an intresting nightmare for me.)
-jhe

Overheads- AT 3525's
Kick- ATM 25 (or Beta 52)
snare (top)- SM-57
snare (bottom)- SM-57
timbales- sm-57 (x2)
Rototoms- SM-57 (x2)
10" concert tom- SM-57
Rack toms
11", 12", 13" Audix D-2 (x3)(?)
Floor toms
14", 16" Audix D-2 (x2)(?)
22" Gong drum Beta 52 (or ATM 25)
ride AKG C1000s (or ?)
hi-hat Octava MC012 (or ?)
room mic NT-1 (cuz I got it)
I already have 4 57's, the Beta 52, the ATM25, and the NT-1.
I'm not sure about the Audix mics on the double headed toms, but we can get a deal on them for $100 a piece. I'd use 57's on them, but we need something a little more low profile, to squeeze the mics in with all the cymbals and whatnots. (that reminds me, where can I get right angle XLR connectors?) If we could afford Shure beta 98's, it'd be a no brainer. The other low-profile options in our price range are the Sennheiser e604, Beta 56 or the AT pro25. The stick man's getting the dynamics, so that's his call really. (i.e. help me talk him out of the D-2's!

For ride and hi-hat it's a little blury. A small condensor for sure. I heard Ed say he liked the c1000 on ride (but nothing else) I guess I'd like to test that theory. The MC012 on hi-hat seems like a safe bet. I'd be using these for other stuff too, like percussion overdubbs and acoustic guitar tracks. I'm thinking having one of each would be cool so that I could choose and experiment depending on the application. Or I could just get a pair of MC012 and forget it. I don't want to spend over $350 for the two though, so that means Guitar center for the Octava(s).
I'm curious, who's ever miced up a kit this size? Nightmare? or intresting adventure? (so far it's been an intresting nightmare for me.)
-jhe