Personally, I like a single dynamic like a 545 or a 57 on Leslie, back about 4' and about two thirds the height of the cabinet from the floor. It sounds like the Leslie and seems to be easier to mix. YMMV.
Pipe organs are more of a room instrument. As a result, you'll never have to mic one live.
To mic one to record, your best bet would probably be a high-quality omni, either condensor or ribbon.
If the organ is playing with other instruments, then you may have issues. You'd probably have to close mic clusters of pipes, or just accept that you're going to have bleed from the other instruments in your organ send.
man I WISH i had a pipe organ haha. I was given a hammond soundster from the 70s (i'm guessing 70s, that is). The volume pedal doesnt work so it is SUPER LOUD all the time
I have seen a pair of e609s on a Leslie with good results, spaced far apart on one side of the aperature for the horn. By the way, the keys on "No Quarter" is an electric piano. I admit however, that it does not change the point being made there.
I have seen a pair of e609s on a Leslie with good results, spaced far apart on one side of the aperature for the horn. By the way, the keys on "No Quarter" is an electric piano. I admit however, that it does not change the point being made there.
I have a Farfisa console organ and I mic'ed it with a dynamic and I didn't like it too much. I found for myself that my omni condensors work better. Now I typically run the organ direct.