Mic Picking Up instrumental

  • Thread starter Thread starter robbyrobmusik
  • Start date Start date
Chibi Nappa said:
Why in the world would you buy a compressor to fix the symptom of the problem instead of fixing the problem itself? And if anything, a compressor would make it worse anyway.

Just buy closed ear headphones for $20. Bam. Problem over. The simplest solution is always the best.

your right I need to find and fix the problem. I dont even think i have a problem with the headphones really. I am starting to think my current mic problem of it recording so low. Check out my other thread please and let me know what u think. I linked it like 2 post up
 
SouthSIDE Glen said:
heh heh, RAK, yeah I did recommend expansion. I'm just glad to see that someone else is on the same page there for a change. It seems like every time I mention range expansion on this board I get the Internet equivalent of blank stares back at me. It's nice to know that someone else knows about expansion ;).

I do somewhat disagree with the phrase, "Gates are extreme version of Expanders" though. I can kind of understand where you're coming from, but they really perform entirely different functions, and I think that statement can be potentially misleading.

Gates are not the inverse of limiters; they do not alter the dynamics of the signal in any way like an expander, compressor or limiter would. They are really just glorified "mutes"; they simply set a threshold volume level where any signal coming in below the volume of the threshold is muted (it does not make it through the "gate".)

Mini Rant re: Gates
And as long as we're on the subject, I'd like to clarify something about gates that seems to be a widespread misconception that I've been reading since coming on this board. It showed itself again earlier in this thread, so this is not completly off-topic, even though it is a sidebar...

Like any other broadband signal processor (I'm not talking about fancy sidechain tricks here), gates only look at and work upon the whole waveform. If the amplitude of the waveform rises above the gate threshold, it "makes it through the gate" and the signal is passes unimpeded. If the waveform does not rise above the threshold, "the gate is closed" and the signal is muted. That's all a gate really does.

Since I have come to this board I keep reading repeated references to reducing noise in a signal by gating it out. Many times there is the implication that any noise in the signal is removed as long as the noise level remains below the threshold, and the rest of the signal above the threshold passes through. In other words, the idea is that the gate can act as a noise filter.

This is not really true. The gate works to mute the signal only as long as the amplitude of the whole signal remains below the threshold. As soon as the wave amplituse of the signal rises above the threshold, the entire signal passes through the gate, noise and all. It does not "filter" the noise out of the signal; it passes everything through. Why? Because "everything" is contained within that single amplitude wave that has crossed the gate.

Gates are effective at muting noise during the otherwise silent parts of a track, but once the instrument or voice comes in and pushes the track amplitude above the gate threshold, the gate is wide open and the noise is still there with the instrument or vocal.

Sorry for the slightly off-track rant there, but this is something that has been pricking the hairs on the back of my neck for a loooong time now, and this seemed as good a time as any to try and set the record straight...in one thread anyway ;).

G.


Yeah somehow I knew you'd have an issue with that. I just couldn't think of any better words at the time. I didn't say a Gate was an inverse of a Limiter.
I was just saying that Compressor goes with Limiter (they both reduce the volume above a threshold, Compressor by a ratio, Limiter by a hard cut-off, by which I mean a very high ratio) allowing you to ultimately raise the volume. Expander goes with Gate (the both reduce the volume below a threshold, Expander by a ratio, Gate by a hard cut-off), allowing you to get rid of noise and expand the dynamic range.

Obviously there are more interesting and different uses for these things (and we haven't even touched on side-chains!!)
 
Last edited:
I bet your problem is you don't have your phantom power switch turned on.
 
RAK said:
Expander goes with Gate (the both reduce the volume below a threshold, Expander by a ratio, Gate by a hard cut-off), allowing you to get rid of noise and expand the dynamic range.
A gate is not a dynamics processor. It does not expand or compress dynamic range, it does not affect volume (not counting any gain controls outside the gate circuit itself), and it does not filter noise from a signal.

All it is is an on/off switch inserted in the signal chain that says if the overall signal is louder than "X", let the signal pass as is; if it is quieter, don't let it pass at all.

G.
 
SouthSIDE Glen said:
A gate is not a dynamics processor. It does not expand or compress dynamic range, it does not affect volume (not counting any gain controls outside the gate circuit itself), and it does not filter noise from a signal.

All it is is an on/off switch inserted in the signal chain that says if the overall signal is louder than "X", let the signal pass as is; if it is quieter, don't let it pass at all.

G.

A Gate is not a dynamics processor? Expand your mind dude.
Your second paragraph is a good explanation of what a Gate does. An Expander reduces a signal by a certain ratio below a set threshold. A Gate reduces the signal to Zero below a threshold (or doesn't allow signal to pass below a certain threshold) or say it yet another way, it only allows signal to pass above a certain threshold.

There are still parameters of a gate that can be adjusted. Take for example the DBX 1066 which has combined Expander/Gate controls for Ratio and Threshold. Crank up the Ratio settings and you have a Gate, much like when you crank up the Ratio settings on a Compressor and you have a Limiter.

There are really only three categories of signal processing: dynamic, time based, and spectral. So if a Gate is not a dynamic processor which is it?
 
alright again i feel like a dumbass!! man this recording stuff is killing my ego..

not really...

im happy everything is working out the way it is.. Actually my head phones are not bleeding at all which is impressive for $25.00 headphones. Its that when i would press the alt3/4 for the mic I would also press alt3/4 for the tunes/instrumetal. So it was actually recording both. But since i would turn the intrumentals down (fader 7/8) it would record the instrumental very low thus me thinking they were bleeding.

I unclicked the alt3/4(fader 7/8] from the instrumentals and just the very low if any none came through with the instrumental pretty loud.

Hope this save another newbies hair with my trial and error. And i was just about to ban behringer from my studio!! DAM!!
 
Back
Top