AdrianFly said:Sounds like utter crap. I'll give you points for coming out of the closet and admitting homosexuality in the song though. That must have taken balls. You can't have my balls though. Cloneboy tore em off when I posted my Mp3 last month.
---Lee
Love that wild synth sound in there too! (I love Synths and guitarsynths)AdrianFly said:Hey man.. I was a little "over the top" with Cabo Wabo Tequila last night when I wrote that last comment.
I like your tune man.. it's got a really nice Edie Brickell vibe to it.
---Leegrn said:i recommend a shure sm57
my apologies for coming across rather grotty in my previous post
Now I need a drink! ---Lee
producerkid said:Wow, I'm actually very impressed. Nice keys, man. Your recording kicks ass. Very clean with a nice high end timbre. The only thing I can criticize on it is that I think you should limit the harmonica just a touch because it is a bit spiky in some places. Not limiting to where it rapes the dynamics just to duck the REALLY loud parts a touch. Also, IMHO it's a very cool instrumental and I personally would keep it like that. On the far extreme, if you do vocals, do a LOT of them. I would say the main vocal plus a harmony track (only in certain areas should the harmony be present), and at least 4 backing vocals. Sorry, now I'm just being a ranting....
producer kid.
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That harmonica comment is going to make me have another listen. Instead of compressing/limiting that track, I left it as is and previously tamed some of those spikes you mentioned. I kinda like the emotion evoked there...the real "breaking through".. that intermittant heavy-winded expression..HOWEVER....it may be a bit much as you stated. Ducking...or some surgical amplitude attenutation will work fine actually. Going to check this out later....uh....after we get back from seeing George Carlin rip some new assholes tonight at his concert.
producerkid said:No problem man, when you get vocals done and touch up that harmonica be sure to post an updated mix and let me (us, lol) know.
the kid
) dire straits type vocals, or even pink floyd, would really do the track a hell of a lot of justice and turn it into something id DEFINITELY listen tobrummygit said:that's really good - love the feel of it. the pipes/whistle sound or whatever plays the first melody is really cool, until it goes into the higher notes. that would suit the harmonica to go that high, but dont reckon it suits the pipes (if that's what they are?!). i love the pipe sound, but reckon they should be kept low.
seriously, i like this tune. reckon some type of bob dylan or (no offence) dire straits type vocals, or even pink floyd, would really do the track a hell of a lot of justice and turn it into something id DEFINITELY listen to
A lot of those patches, when you go into ranges (upper) that you should avoid, often sound thin and lack volume. Excellent point, Brummy. Thanks for that keen and astute ear-opening observation! ---Lee
Hope you find some time to check this out, as it is the last time I make any adjustments to this certain piece at this time. Thanks! ---Leebrummygit said:i do like this one alot.
The entire left track was omitted in error. Dang. And I didn't initially hear this. I must suck ass (__Y__)
I now stand in judgement of my peers for sentencing.
---Leejohnnymegabyte said:Have to admit this is pretty catchy. BRAVO.
I ditto the suggestion of keeping it an instrumental ( it holds its own ) .... or extend the song with existing instrumental parts, and insert new sections for lyrical content.