Your link spoiled the secret. Sorry man. Glad you're closer to the sound you're looking for though!
D'oh! The original test I did I just numbered the samples so no one would know which was which. I forgot I named that one, though (done after the fact). Ah well, I'm pretty happy so far. That tone was my first shot with the 57's blended. I haven't even had a chance to mess with their placement too much yet, so I'm looking forward to getting some time to do that.
I'm kinda curious how you had the KSM32 setup. Like you realize it's a side-address mic, right??? Were you pointing the top of the mic at the guitar by any chance??? That might explain the thin sound of that clip.
The 57 clip sounds just a touch louder than the KSM clip too.
I'm no
studio wizard so the extra volume of the 57 clip is probably just due to me putting a touch more gain on there. I had to crank the gain on my DMP3 to get the 57's up in the range I needed, while the KSM32 didn't need nearly as much. The 32 was a lot more "peaky", though, so the overall gain had to be down a tiny bit more to prevent clipping on the louder strums.
As far as placement for the 32 goes, if you reread my first post you'll see I tried pretty much everything. I tried out front of the sound hole and out front at various points up the fret board, both at varying distances from a couple inches to about two feet. I tried different angles for each and tried a few different spots up by my ear pointing down to try to capture that tone I hear when I play. And I tried each of these positions with the built-in high pass filter at each of its two levels and off, as well. I've spent hours upon hours with placement of this microphone to make sure I know exactly what each placement and angle and distance will give me, which I always do when I get a new toy.
Overall, the KSM32 just isn't doin it for me tone-wise on an acoustic. I was much happier with the blended 57's on my first shot without even messing with mic placement options yet, which I'm sure will yield even more positive results. Tomorrow night my singer is coming down so we can test the 32 on his vocals. If it goes well, I'll keep it and use it as a vocal mic; if it doesn't, I'll send it back and continue to look at more options. It's all one big learning experience and the only way I'm gonna get to where I wanna go is by trial and error.