T
TheDewd
New member
Exactly.COOLCAT said:I Better that its not there at all I guess, to eliminate surprises on other systems?
Or let the mastering engineer take care of the flubby/wrong bass later on and make him work a little more than usual so you feel less guilt when comes time to pay him the big bucks he's asking.
Problem with NS10 and the like, is that everything under 60Hz (maybe 70Hz) is NOT there (you can't hear it or feel it)..so you waste a lot of the mix's energy in there which makes it harder to push to -7 dBRMS to compete if there is flabby things going down low.