What's a monk shaker??
One criticisms I got when I produced the first version was that I ripped-off "Autumn Leaves". Yeah...that's in there; but this one was composed and playing in my head when I dreamt the dream. [The other version is Queen meets Julio Igliasias...drums, harmony distorted guitars..a lot more angst]
Thanks for the heads-up. I can hear it, now that you mention it....the 2nd guit is as-recorded. The first guit was rounded out in the belly with a bit if EQ. Both are stereo mic'd. And guitar 1 has delay and verb...I started with a click and the melody on this one...a new approach. I know melody is the most important element...and by the time I usually get to it, I'm fatigued. On this one, I wanted the melody to stand rightious, alone, first. It had to be clean, right, and sounding good. Might make it a habit.
Not too crazy about the orchestra samples. I just got an old set of Miroslav Orchestra samples..but I can't get them to open, just yet, in my computer or on the platform...a file association puzzle. The grand piano is c 1999 Kerzweil K2000. My 24 bit synth was not cooperating...no audio out. I said a prayer, and it's working again. God is an electronics geek, too?? :^)
The bass is direct, through a c1994 Alesis guitar processor...'Blues Page" ...delay, verb and flange. Battling over whether to do it on upright, clean. Or maybe bowed contrabass...if I can find a good patch.
Does it suffer in the absense of hot guit-licks? :^) [Will Hut work for beers?]
I'm trying to restrain. Voice-over workin' music...maybe the second credit-roll in another 'B' film.
The dream that spurred the song was so wrenching that I couldn't talk about it for a while...hence the title. It was about my young daugher dying in my arms... she's fine, btw: one of those occasional parental brain traumas.
Thanks for the guidance! You rock!