I'm sure there are, but when there's a choice between acknowledging the commonly known and complicating a thread with rare exceptions from long before I was born, I'd go with the former.
Now you sound a bit condenscending...what's age got to do with it?
You've got a point worth making in there, no doubt. My fear is that it got lost in an unnecessary semantics debate.
Well...I think Jimmy is the one that rasied the sematics discussion and stirred the pot with his somewhat "grouchy" comments.
I was simply trying to point out that "gain" can be at either end, and often is. It really should be just referred to as Input and Output gain, unless like you said, the Make-Up gain can only do unity at minimum, then OK, it's purely for make-up.
Maybe the hardware mentality here is a bit "old"...but I can't just draw a line and only consider what the current accepted definitions might be or how people now days use some terms and how they consider gain structure in the ITB world.
Yes, I admit it's sometimes of a PITA, as I do find myself sometimes talking pure;y from a hardware perspective when I then realize that the other person is purely looking at it ITB, where some analog considerations may not apply and/or where they have been lost and forgotten.
As I jokingly said earleir...it's amazing how much the term "stereo" has been bastardized in the ITB world, and it's not necessarily the fault of the users, it's just how they now see it.
Anyway....for you RAMI....I had to go get pictures for you!
The manual states that "MAKE UP" lifts input signal and enables gain to be added without having to overdrive the signal source amplifier...meaning, so that you can properly drive the threshold and the action.
So I really wasn't making anything up.
It may be more common these days to use that term only at the back end of comps...but again, my main point was to just suggest to the OP and others, that there IS a use for gain at the front end...and whether it is making up or lowering down the signal, depends on the rest of the chain before and after.
