Hey Rami
Yes, I like micing the snare in the GJ setup as well. Keeps it centred and you can add some more punch to the mix.
The GJ setup of the 'overhead' mics seems to miss a little of the position of the toms or some of the spread of the cymbals if there are lots of little ones scattered around the kit (*sigh*.....drummers...)

For small kits, it works a treat, or for just banging out demos with a small number of mics.
But for a more modern rock sound where kick, snare, each tom, hihat and ride have their own mics, I'm really wanting to capture the 'air' around these elements and, of course, the cymbals and a bit of the room with the overheads, so putting them both above the kit seems to work for me in this situation.
My setup has worked, but I have always wondered if it is usual to have to move the snare-side mic back or up a little to bring it equidistant to the ride-side mic.
Dags