
Tim Brown
New member
BlackSoultan said:I'm not the newbie everyone thinks I am. Yes, I can rent a mic and take it to my engineer, but that would cost extra.
I could pay 40/hr to record with the knock-off tlm103 with my engineer, or I can go to this other guy and record with his 149 and take those vocal recordings back to the same engineer as before to mix. It's the same price. The issue here therefore is for y'all to look at my music (http://www.soundclick.com/blacksoultan) and tell me IN YOUR OPINION (not my engineer's opinion, I'm sure he'll give me his) if that mic (the 149) would fit what I am trying to do. In other words, would my earlier work have been aided in using this mic as opposed to a mic like the 103?
Why the fuck is this a hard question? Do you people only get a kick out of life by yelling at others on a bulletin board?
First of all, what your voice sounds like in person, and on a recording are not the same. Me personally - I'd say go with an SM58, or an SM7, or an EV RE20/RE-27/PL20 kick drum-style mic (think about it - it's what they use in 99% of the Radio stations and tons of voice over work)..... I like Large Diaphragm Dynamic mic's for male vocals - if the vocals don't contain any real "glass shattering" highs (i.e., Judas Priest/Metal screaming.)
My all time favorite is the Sennheiser MD441.
Rapping is almost like talking, so the vocal range you tend to use is limited - so you don't need a super wide range-condenser for it. I personally am not a big fan of Neumann's for male vocals if I were going to use a condenser anyway.
Just my take on it.
Tim