...but it's a sound born of utility not of love..
I completely agree.
I absolutely love Devin Townsend's "Terria." Its a great mix, this massive whirling vortex of sound you drown in more than you listen to (I played "Mountain" for one of my roommates and her comment was it wasn't background music to do something else to, but "foreground" music that you listened to simply to listen to, which I think is a pretty fair assessment, especially from a girl who doesn't even listen to metal).
Yet, barring possibly Devin's voice, none of the tracks really sound that good on their own. His drum sound is almost laughably thin (especially the kick, which is very little BUT kick), the guitars aren't bad but a bit fizzy (i mean, he tracked most of this with a stock Stratocaster), and his acoustic tone isn't exactly memorable either. I don't even remember the sound of the bass guitar, which says a lot, and his synths are, well, they're synths.
Yet, sum them all together, douse the whole thing liberally with delay and 'verb, and hit play, and my god is it a massive sounding album, layer upon layer upon layer of music. It's gorgeous...