Bruce -
I'm a relative newcomer to this forum, and just stumbled upon this thread today. Your classroom page is great! Thanks for contributing to the community this way.
I've been recording since 1977 or so, when I bought my first 4-track Teac. I've never had the opportunity to work in a high-end studio, but have worked with a number of artists who published their albums/CDs over the years, using my tape gear, and later, a digital setup, as well as doing a lot of Front-Of-House live mixing at
venues up to 5000 people or so. Your perspectives on recording in analog, onto tape, in digital, and gradually accepting that digital could be massaged into something that sounds good matches my experiences pretty well.
I wish there were similar classes out there for front-of-house mixers at live shows. I've found that about 9 out of 10 have no ear at all for a balanced mix. That 7 of 10 apparently believe that it's crucial that subwoofer frequencies be loud enough to rattle your internal body organs from 500 feet away. That 8 of 10 find it much more interesting and engaging to flirt with drunken 22 year old girls than pay attention to what their job. To be fair,
the venue affects this: It's much less likely to be a problem at large concerts than at festivals and bars. I've recently come to the conclusion that the world would be a better place if you needed a federal license to be allowed to turn on a subwoofer.... (sorry, time to end my off-topic rant)
Anyway, thanks again for sharing your knowledge and experience!