How to turn your old stereo speakers into the best sounding monitors you ever heard!

  • Thread starter Thread starter Boray
  • Start date Start date
KILL THIS THREAD!!!!!!! It's STUPID!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
 
Yes Zeke, you're from Arkansas! Your illerate post reaffirmed that. Cousins marry there and no doubt you're missing at least one chromosome. I don't care if you're from Canada, Arkansas, or your mother's ass - you're still a Jethro Bodine idiot. Hee Haw!

Some other points:

I own 5 different pairs of nearfields - the NS10's being only one.
The other names you wouldn't recognize with your limited knowledge.

Shania Twain is talented.
Queensryche is not.

I like Canada (including Ottawa) very much. I think I made that clear. However, Ottawa is not and never will be a recording mecca. Neither will Arkansas.
Miami is.

Now while you're milking cows, I'll be on my way down to see Desmond Child.

Go Razorbacks! LOL
 
Blue Bear - you can only dream about recording - I'm actually doing it and laughing all the way to the bank in the process!
Say hello to the moose for me.
 
Re: Re: Re: Re: eq

Wooohhh…. a lot of crap to wade through in this thread. Hope I can address the question and not get caught in the volley.
Boray said:
1. EQ induces phase problems
From what I have heard, this is mostly related to analog EQing and not to digital EQing. If digital EQing still induces artifacts and phase problems, then these are minor to the improvements. At least this is what I experiance when listening and comparing. If I just turn the EQ off from time to time or take my mix to listen on different systems, I can't see any problem with that.
No, digital filters work according to the very same principles as analog filters. They may come closer to the pure abstract mathematics of filtering, but the math shows you that there is, to greater or lesser degrees, ALWAYS some level of passband distortion, phase distortion, and transient distortion associated with filtering.

2. If you move your head away from that spot, your EQ tuning will mean nothing
This is exactly the same on any monitors or speakers. If you move your head to another location, it will sound differently. The trick is to find the right spot when you do the EQ tuning and to have really good dry acoustics in the room.
Of course, some monitors are more sensitive to position than others, but I basically agree with you. The monitor input signal is the monitor input signal, regardless of whether it is a distortion of what was originally recorded or not. This isn’t to say the monitor polar response doesn’t change with phase variations in the input signal, but the monitor desn’t know whether the input is the “real” signal or the filtered signal. The original unfiltered signal will have it’s own phase characteristics which will also affect the monitor response in a particular way. One thing that makes some monitors better than others is that their inherent response is less affected by the nature of the input signal.

Well, have fun tearing my arguments apart! ;)
You win some, you loose some.;) The main flaw in your approach is that you assume flat frequency is pretty much all there is to accurate monitoring. Well, send me a .wav file and I can crunch it into a million pieces so that it sounds like a bunch of indiscernible noise, but when you compare it to the original with a spectrum analyzer it will look virtually identical. On second thought, I don’t even need .wav file. Just send me the response curve and I’ll EQ some pink noise to fit it.

The “true” signal is an amplitude fluctuation in TIME. Frequency response is a useful way of looking at signals, but it is far from everything about the signal.

barefoot
 
Re: Re: Re: Re: Re: eq

barefoot said:
You win some, you loose some.;) The main flaw in your approach is that you assume flat frequency is pretty much all there is to accurate monitoring.

At last someone who knows what he is talking about. A loudspeaker designer! Imagine that! From your profile and from what you are saying, it's apparent that you know what you are talking about and I value your input highly! Thanks for looking beside all the flaming in this thread and for giving me your input!

Kind Regards,
Anders Persson
 
Better than white noise?

Barefoot, If you are still around, I have a question that I would like if you thought about. Could it be possible that my method gives a better result than the traditional white/pink noise method? (Or the sweeping frequency method)? My thoughts on this is that white noise is a very static sound, constantly playing on all frequensies. If you play white noise through the speakers, they are probably not responding in the different frequencies as they would do with normal music. As I am using real music as my test source that I boost and cut in different bands, this gives a more dynamic test sound that's pumping up and down with the music. This way you can watch the levels and actually see how good the speakers responds in different bands so that you can set it on a middle value. What do you think about this? Could I have a point here?

Kind Regards,
Anders Persson
 
Last edited:
(insert Bill Lumbergh voice from the movie 'office space')


Yeah...umm....I'm gonna go ahead and ask you to forget about this thread. Umm...yeah it's pretty irrelevant, and....ummm....yeah...well if you could go ahead and take care of that for me....it'd be great.....yeah.....thanks....
 
DarthFaders said:
(insert Bill Lumbergh voice from the movie 'office space')

Yeah...umm....I'm gonna go ahead and ask you to forget about this thread. Umm...yeah it's pretty irrelevant, and....ummm....yeah...well if you could go ahead and take care of that for me....it'd be great.....yeah.....thanks....

Why stop now? Now when the flaming at last stopped and this thread finally got interesting. It would be very interesting to know what the Loudspeaker designer Barefoot thought about my last hypothesis.

I left this thread on reply nr 31, I later came back a whole week after I left and asked them to give it a rest, as they still were at it over here (just as you ask "us" to give it a rest now), but I just got dragged in again. But I think that was a good thing for me, trying to face their opposite opinions, which I think I did pretty well.

Kind Regards,
Anders Persson
 
I said I was through with you, but I just can't resist. It's just too much fun, and you make it too easy for me. :D
Boray said:
No I didn't.
Did too!!
Boray said:
The topic name was to draw attention to the post (which it did apparently)... ...I have never said that using stereo speakers for monitors is better than using real monitors.
I love this stuff. :D Please explain how you reconcile these statements with the following statements, that you made only 7 posts back.
Boray said:
I know that this is hard to coprehend for you pro-wannabes just because it's the common opinion that you need a pair of decent monitors to mix. You don't really. I (and many with me) have made some pretty good mixes on stereo speakers...
Make up your mind Anders, you can't have it both ways. Statements like these sure sound like you are advocating stereo speakers over studio monitors.

The worst part of the whole thing, is that you are disseminating misinformation. For all your desire to be an audio pioneering genius, your grand ideas are easily deflateable.

One more point, you speak of pro-wannabes like you have disdain for them. I don't share your sentiments. I'm a pro-wannabe. That's why I'm here, to learn, to take in information, and to acheive the best results I can, and yes, hopefully even results as good as the pros I respect. Or, even as good as some of the pros I don't respect. (BG, were you smart enough to catch that subtle reference to you?) :D I want that, so I guess I'm a wannabe. I've learned a lot along the way. I have a lot more to learn. But this discussion borders upon bizarre, and ludicrous. This is very very basic stuff. This is the first few steps. This is baby food. You have to eat some baby food and grow up a little before you can start eating solid food.

So, I reiterate my advice to all newbies (recording newbies) There are no workarounds or substitutes when it comes to monitoring. You have to get some decent studio monitors. You can get some decent monitors fairly cheap. If you don't have a decent monitoring situation, you will never even get to the solid food.


Boray said:
The words of a bad loser that has no arguments left. You're overly sensitive. I think you serve yourself better, by growing a little thicker skin. (That's your own words by the way). You have not provided one single agrument against my method other than repeating what you have heard from others around here (that not even are real arguments). Have you any experiance with this whatsoever?
A couple of points here:

A) You obviously have a different view of the exchange than I did. I viewed myself as being gloriously triumphant. ;) Thus, there wasn't a need for either thick skin, or guarding myself against excessive sensitivity.

B) Just for the record, I do repeat advice from time to time, when I have no first hand experience of a matter. When I do, I always prequalify that advice with statements like this: "I heard somewhere that...", or "So-and-so recommends that..." I never dole out advice, like the advice I gave in this thread, without personal experience. I've had experience trying to go the cheapest route when it comes to monitoring, and I've discovered what thousands of people who came before me have. There are no work-arounds. Studio monitors are a "must buy" item.

Boray said:
I think it's strange that people around here are so quick to judge people that you don't know and people that doesn't agree with you. I think you should try to keep a more open mind.
I think we've honed in on another flaw in your reasoning. You're right, people don't know you. However, they aren't judging you, they are judging your idea. It has been weighed in the balances and was found to be severely lacking. Having an open mind is one thing. Entertaining silliness is another matter.

Of course your belief that what you've experienced is a personal attack, and that people are "judging" you, would explain why you have spent 6 pages trying to defend an indefensible idea.
You are closeminded and live in a word where everything is black and white.
That's a nice try, but it doesn't really describe the world I live in. The world I live in is black and white, with a whole lot of gray in betwixt. Some things are as plain as black and white. This is one of them.

Some people want everything to be gray. Everything isn't.
Sometimes it seem like scientists just guess and then hold their assumption as truth until they are proven otherwise.

What you losely describe, is what is called the "scientific method". The scientific method is described this way: "Observe what happens; based on those observations, form a theory as to what may be true; test the theory by further observations and by experiments; and watch to see if the predictions based on the theory are fulfilled.

To keep an open mind and think for yourself instead of blindly follow others will make you to learn more in the long run, and even maybe let you come up with an idea or two of your own.

Well I'm all for going against the norm, trying new things, having your own ideas, even trying things that on paper seem ridiculous. That type of thinking is the mother of invention. But, you can't ignore the final step in the scientific method: "watch to see if the predictions based on the theory are fulfilled."

Well, it has been an interesting experiance to talk with you. Good luck with your recording and with your life in general.

Kind Regards,
Anders Persson
Interesting to say the least. Thanks for the kind sentiments. For all the frustration that is involved in trying to reason with you, my perception of you is that you are a kind person.

Kind Regards as well,
Taylor
 
*BG said:
Yes Zeke, you're from Arkansas! Your illerate post reaffirmed that. Cousins marry there and no doubt you're missing at least one chromosome. I don't care if you're from Canada, Arkansas, or your mother's ass - you're still a Jethro Bodine idiot. Hee Haw!
Gooooooooolly Mistuh Drysdale, how'd you git tu bay so dang smart? Is all city fellers like you?
*BG said:
I own 5 different pairs of nearfields - the NS10's being only one.
I mix on NS10's too. I just knew it would be easy to get a rise out of you. It worked.

*BG said:
Shania Twain is talented.
This speaks for itself. :rolleyes:

*BG said:
Now while you're milking cows, I'll be on my way down to see Desmond Child.

Come on Mr. Drysdale, iff'n I finish up the cows early can't I come and meet that big city song writer feller?

Go Razorbacks! LOL

That's the only intelligent thing you've written in this whole thread. ;)
 
Re: Better than white noise?

Boray said:
Barefoot, If you are still around, I have a question that I would like if you thought about. Could it be possible that my method gives a better result than the traditional white/pink noise method? (Or the sweeping frequency method)? My thoughts on this is that white noise is a very static sound, constantly playing on all frequensies. If you play white noise through the speakers, they are probably not responding in the different frequencies as they would do with normal music. As I am using real music as my test source that I boost and cut in different bands, this gives a more dynamic test sound that's pumping up and down with the music. This way you can watch the levels and actually see how good the speakers responds in different bands so that you can set it on a middle value. What do you think about this? Could I have a point here?

Kind Regards,
Anders Persson

Just a clarification why I think the speakers won't respond as they should when using white noise. White noise is playing at an equal volume in all frequency bands. Old (bad) speakers can't probably deal with this in the way they should. The membranes will probably just stand vibrating and take out some of the frequencies that normally would be heard more in normal music. Just a clarification on my thoughts on this.

/Anders
 
Zeke, Well hello again! ;)

>I said I was through with you, but I just can't resist.
>It's just too much fun, and you make it too easy for me.

Good that I can help you in some way! ;)

>quote:
>--------------------------------------------------------------------------------
>Originally posted by Boray
>No I didn't.
>--------------------------------------------------------------------------------
>
>Did too!!
>
>quote:
>--------------------------------------------------------------------------------
>Originally posted by Boray
>The topic name was to draw attention to the post (which it
>did apparently)... ...I have never said that using
>stereo speakers for monitors is better than using real
>monitors.
>--------------------------------------------------------------------------------
>
>I love this stuff. Please explain how you reconcile these
>statements with the following statements, that you made
>only 7 posts back.
>
>quote:
>--------------------------------------------------------------------------------
>Originally posted by Boray
>I know that this is hard to coprehend for you pro-wannabes
>just because it's the common opinion that you need a pair
>of decent monitors to mix. You don't really. I (and many
>with me) have made some pretty good mixes on
>stereo speakers...
>--------------------------------------------------------------------------------
>
>Make up your mind Anders, you can't have it both ways.
>Statements like these sure sound like you are
>advocating stereo speakers over studio monitors.

Easy. In the second quote, did I say that speakers are
in fact better to use for monitoring than real sound monitors?
No, I just said that it's not neccesary to have real
monitors. If you are happy with your speakers and
feel confortable mixing on them, I think there are more
important things you can use your money on BEFORE your
you buy yourself a couple of decent monitors. For example
good microphones, good mic preamps, and if you are
a musician, that great guitar you always dreamt about.
If you are happy with your mixes and they sound good
on all systems you try them on, then what's the need
of buying new monitors, even if it would be the absolutely best
sollution if you had access of an unlimited source of money.

>The worst part of the whole thing, is that you are
>disseminating misinformation. For all your desire to be
>an audio pioneering genius, your grand ideas are
>easily deflateable.

I am just saying my opinion, just as you are.

>One more point, you speak of pro-wannabes like you
>have disdain for them. I don't share your sentiments.
>I'm a pro-wannabe. That's why I'm here, to learn, to
>take in information, and to acheive the best results I
>can, and yes, hopefully even results as good as the pros
>I respect. Or, even as good as some of the pros I don't
>respect. (BG, were you smart enough to catch that
>subtle reference to you?) I want that, so I guess
>I'm a wannabe. I've learned a lot along the way. I have
>a lot more to learn. But this discussion borders upon
>bizarre, and ludicrous. This is very very basic stuff. This
>is the first few steps. This is baby food. You have to eat
>some baby food and grow up a little before you can start
>eating solid food.

Pro-wannabe was probably the wrong word that slipped
through my fingertips while trying to defend myself. I should
probably have used some other word there...

If this is baby food, how come you have such a big trouble
attacking the basic idea of my method and instead try to
attack what I have said and what I not have said? I think
it seems like you are trying to attack me and not my EQ
idea here. At least in this your last post.

>So, I reiterate my advice to all newbies (recording
>newbies) There are no workarounds or substitutes when
>it comes to monitoring. You have to get some decent
>studio monitors. You can get some decent monitors fairly
>cheap. If you don't have a decent monitoring situation, you
>will never even get to the solid food.

That's your opinion and I respect that.

>quote:
>--------------------------------------------------------------------------------
>Originally posted by Boray
>The words of a bad loser that has no arguments left.
>You're overly sensitive. I think you serve yourself better,
>by growing a little thicker skin. (That's your own words by
>the way). You have not provided one single agrument
>against my method other than repeating what you have
>heard from others around here (that not even are
>real arguments). Have you any experiance with
>this whatsoever?
>--------------------------------------------------------------------------------
>
>A couple of points here:
>
>A) You obviously have a different view of the exchange than
>I did. I viewed myself as being gloriously triumphant.
>Thus, there wasn't a need for either thick skin, or
>guarding myself against excessive sensitivity.

We obviously have.

>B) Just for the record, I do repeat advice from time to
>time, when I have no first hand experience of a matter.
>When I do, I always prequalify that advice with statements
>like this: "I heard somewhere that...", or "So-and-so
>recommends that..." I never dole out advice, like the
>advice I gave in this thread, without personal experience.
>I've had experience trying to go the cheapest route when
>it comes to monitoring, and I've discovered what thousands
>of people who came before me have. There are no
>work-arounds. Studio monitors are a "must buy" item.

Well, did you try my EQ method first? Just kidding! But what
I ment was if you had any experiance with EQ tuning speakers/
monitors for a more flat frequency response?

>quote:
>--------------------------------------------------------------------------------
>Originally posted by Boray
>I think it's strange that people around here are so quick to
>judge people that you don't know and people that
>doesn't agree with you. I think you should try to keep a
>more open mind.
>--------------------------------------------------------------------------------
>
>I think we've honed in on another flaw in your reasoning.
>You're right, people don't know you. However, they
>aren't judging you, they are judging your idea. It has
>been weighed in the balances and was found to be
>severely lacking. Having an open mind is one thing.
>Entertaining silliness is another matter.

How come nobody has taken the points I gave in a previos
post apart?

>Of course your belief that what you've experienced is a
>personal attack, and that people are "judging" you,
>would explain why you have spent 6 pages trying to defend
>an indefensible idea.

Read my reply to DarthFaders. I was away for a whole week while you spent your time flaming eachother. This thread would had been long forgotten if you hadn't hold it alive for that week.

>quote:
>--------------------------------------------------------------------------------
>You are closeminded and live in a word where everything
>is black and white.
>--------------------------------------------------------------------------------
>
>That's a nice try, but it doesn't really describe the world I live
>in. The world I live in is black and white, with a whole lot of
>gray in betwixt. Some things are as plain as black and white. >This is one of them.

Good for you to be that enlighted in this matter.

>Some people want everything to be gray. Everything isn't.
>quote:
>--------------------------------------------------------------------------------
>Sometimes it seem like scientists just guess and then hold their >assumption as truth until they are proven otherwise.
>
>What you losely describe, is what is called the
>"scientific method". The scientific method is described
>this way: "Observe what happens; based on
>those observations, form a theory as to what may be true;
>test the theory by further observations and by
>experiments; and watch to see if the predictions based on
>the theory are fulfilled.

Yes, and?

>>To keep an open mind and think for yourself instead of
>>blindly follow others will make you to learn more in the long
>>run, and even maybe let you come up with an idea or two
>>of your own.
>
>Well I'm all for going against the norm, trying new
>things, having your own ideas, even trying things that
>on paper seem ridiculous. That type of thinking is the
>mother of invention. But, you can't ignore the final step
>in the scientific method: "watch to see if the predictions
>based on the theory are fulfilled."

Yes, and?

>>Well, it has been an interesting experiance to talk with
>>you. Good luck with your recording and with your life
>>in general.
>>
>>Kind Regards,
>>Anders Persson
>>--------------------------------------------------------------------------------
>
>Interesting to say the least. Thanks for the kind sentiments.
>For all the frustration that is involved in trying to reason
>with you, my perception of you is that you are a kind person.
>
>Kind Regards as well,
>Taylor

Thanks.

Kind Regards again ;)
Anders Persson
 
Ok, I will now try to summarize my point on the monitoring subject in general.

Good studio monitors are better for any home studio than any consumer stereo speakers. After all, that's what they are designed for, to be a reference sound source in sound studio work. But there are so much more to this issue than this "fact". Studio monitors are designed to be used in a ceirtain way. They are designed to be placed in a ceirtain way relative to the listener and to the room. This and room acoustics should play a huge role for accurate performance even from the best nearfield monitors.

Although a flat frequency response not is all to achive an accurate representation of the sound from your monitors, it is important for achieving a natural sound and for getting the right levels of different frequensies in your mix. There are ways of checking a flat frequency response, for example renting equipment (or renting equipment+a pro to do the job). (Or to use some stupid idea from some guy from somewhere). To get it right could involve moving your monitors to different positions, trying to alter the acoustics of your room, or to use an EQ to callibrate the monitors. Theoretically, EQ can introduce some distortion to the sound, but if you never have noticed this from your previous EQing in your mixes, why whould you notice that now?

Now to a bit more controvercial part... So, this newbie comes in to read some posts on HomeRecording.com and he understands that he must buy himself a pair of studio monitors to continue his quest for good mixing results. He buys the cheapest monitors there is, puts them somewhere in his livingroom where he has room for them. And he thinks. Yeah! Now I have a good reference to work with! But he hasn't! The acoustics of an ordinary livingroom is in no way good for accurate monitoring.

I believe that I have a better monitoring solution than this guy. He hasn't given it much thought, just bought what he should according to the "experts". I on the other hand have given this a lot of thought, callibrated my speakers in a self invented way, and noticed a huge improvement.

I am no expert, and I have never said so either, so there can of course be faults in my reasoning. But I think that any total newbie reading this (if anyone actually care to look for some good stuff among all the flaming in this thread), will learn more from this thread than from any other thread where someone asks for a tip on the best monitors to buy for the money...

Let people think for themseves without telling them what to think!

/Anders
 
Last edited:
Boray said:
Ok, I will now try to summarize my point on the monitoring subject in general.
Ok, I will now summarize my feelings about Boray's summary:

A lot more hogwash to defend an indefensible idea. And, pretty much the same hogwash that has been fed to us the last 6 pages.

Advice for recording newbies: Caveat Emptor!!!

Taylor
 
So, I'm confused

If adding EQ to your stereo speakers introduces phase problems,

Does that mean that DJ's are musicians or not?
 
Boray said:
...snip
This and room acoustics should play a huge role for accurate performance even from the best nearfield monitors.
snip...

eh? is this bollocks or what?

I always thought that the whole idea of near-field monitors was to try and get them to be as independent of the room acoustics as possible... Isn't that the whole purpose of NF monitoring?

yawn... this thread is getting boring (entertaining, but b--o--r--i--n--g....... ho, hum.....)

zzzzzzz

zzzzzz z z

z


zzzz
zzzzz

zzzzzzzzz

zzzzz......
 
Re: Better than white noise?

Boray said:
Barefoot, If you are still around, I have a question that I would like if you thought about. Could it be possible that my method gives a better result than the traditional white/pink noise method? (Or the sweeping frequency method)?....
No, using music as a normalized test signal has no significant advantage. First of all, noise is not really “continuous”. Noise is a series of randomly fluctuating amplitude modulations which can also be represented as randomly fluctuating phase and frequency modulations. In any case, frequency response is necessarily an integral over the time span of several periods of the lowest frequency of interest. So, even if noise were continuous while music is not, it doesn’t really matter. The temporal information is lost in the transformation into the frequency domain.

Different types of relatively steady state test signals like music, noise, or sweeps, will result in minor differences in response, but these are very minor.

Over and Out on this thread.

barefoot
 
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