How to Perform Live Electronic Music

  • Thread starter Thread starter Merverus
  • Start date Start date
M

Merverus

New member
Hey All,

I'm wondering if you could share with me various options for performing sample- and sequence-heavy material live? I know some electronic acts use a hard disk recorder and simply mix live, or add effects. Can anybody recommend some reference material on hard disk recorders or on this technique? I do not want to use my studio PC for gigging.

Thanks in advance!
 
There's quite a few threads in the Keyboard and Midi forums that relate to stuff like that.

In essence you need a controller(s) to trigger the samples and loops and something to play them back (usually a sampler). Then you need a mixer so you can send a submix to the PA system. That is assuming you want to really do it all live. Very few electronica bands do that. Most just play to DAT and fake it or just play the lead melody instruments and fills.
 
Thanks TexRoadKill,

I confess I haven't found anything too useful in the archives here... but I have found some interesting introductory links elsewhere; for others interested in a good overview, see (an unlikely source)

http://www.amazon.com/exec/obidos/t.../sr=-/ref=cm_sylt_dp_sylt/002-4777665-2918456

Also there are some useful comments to be found here:
http://www.savedbytechnology.com/main/board/messages/88.html

Basically it seems like there are few options:
1) pre-recording audio tracks onto DAT
2) pre-recording audio tracks onto HD
3) triggering samples

Any of the above can be combined with live playing. MIDI seems to have fallen from favour (if it was ever there) because of unreliable timing.

Can anybody comment on DAT vs. HD? Or anything else I might be missing (I am a newbie, after all).

Thanks a lot!!!
 
In the last year I've seen chemical bros and crystal method. I'm convinced chem bros used pretty much all dat, they just pushed play and jumped around alot. They were behind this big cool circular workstation with a 6ft high structur behind them that made sort of a wall of synths and shit. I recognized most of the stuff they had up there but the sound wasn't responding to the things they were doing.
TCM on the other hand had a wide array of cool shit on stage too, but they at least played the parts they could. They had a G4 with a flat panel lcd screen a sweet anvil case, controlling the instruments on stage. Except for the ones they played. They used some kind of korg or yamaha synths as controllers, and scott had a nord lead2 and some other cool looking synth up top I haven't been able to identify, maybe an indigo... As well as a variety of moogerfooger filters and shit he runs the lead boards into.
There's a million ways to do it. Just pick one.
The main thing is a multi track sequencer to run instruments that you are not playing at the time, or dat or something like that to play background. But the more stuff you actually have playing rather than straight audio recording, the better.
 
Sample-jockying

I collaborated a little bit with a guy who called himself a sample-jocky (I'm guessing he's not the only one who does that). Basically he had 2 MPCs and a ton of cool samples that he made. All the beats he used were his own, and he really knew his samples to the point where it really did become performance. He uses the two individual MPCs basically like turntables to beatmatch and works the fader on a standard 2 channel DJ board. He's got it down to a science, and is seriously workin it when he plays (maybe not quite on the level of a Q-Bert or such, but more so than 98% of the DJ's you see spinning records these days).

He's in New York now, if you ever hear of him he goes by "Ontic". He does some dope Hip-hop, trip-hop, jungle, drum and bass, and break beat varieties of stuff. I think he's got a the skills to make it big, so keep an eye/ear out for him if you dig that stuff.

What I think would be really cool (and have been considering creating for a while)- is a band that plays electronic music all-live. Real percussionists (mix of acoustic and digi), a couple of synths, a sample and/or turntablist, (but just to add, not to be the basis for grooves), and some vocals.

I think people would trip if a group could come out with tight electronica that actually came from live musicianship. One difficult thing about this is that a certain amount of monotonous repetition is really required by most electronic styles to give them a more authentic (electronic-authentic, instead of organic) feel, and it takes really good musicians to play the same phrase for x amount of bars (read hundreds), without varying it too much to create the right building electronica feel (esp on percussion).

Best wishes on your project.
 
Pre record everything (except vocals)- and then just put enough stuff on stage, and push enough buttons so people THINK your doing something.
 
Back
Top