how may i get a deal?

  • Thread starter Thread starter musicsdarkangel
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Yeah. A standard in most recording contracts, too, where the "advance" is actually a loan which is paid back thru actual "unit" sales. Not totally unreasonable.

OK, if your music sucks and you're independently wealthy you can payback out of your own pocket.
 
well

what if the music's great and your broke offa your ass?
 
If you can't afford bribery, whoring yourself might work...

Seriously, you obviously have a lot of interest and drive. I agree with Kaydis, get some good books and magazines and just suck all the knowlage out of them. There is a lot of good stuff here but if you want to get to the meat of things in a hurry, go to a good book store (or good music store) and pick up a few of the titles that were mentioned.

Traditionally the best way to get signed was to rehearse your ass off, play every local gig you can, then start touring regionally, and eventually the record gods may smile on you. Today with the much improved cheap recording gear there is a temptation to just throw your own studio together and record your stuff and bypass the whole touring process. However as you are starting to see it is one thing to go buy the hardware, and quite another to learn how to use it well.

Sometimes it is easier not to have to re-invent the wheel. If you have good material and your band is well rehearsed, I think you should consider buying time in someone elses studio. There are many, many small studios out there and the competition means that rates can be down right reasonable. Many of the posters on this board are these exact people, people working hard to make a living running a small studio. The trick is finding the right producer/engineer, and the best way to do that is to check out work they have done previously (and talk to some of their clients).

Of course a lot of artists do a combination of all three - gig your ass off, record their own material to work it out, then have someone else do the killer demo recording that will hopefully lead to that big break.

Just my opinion....
 
Sabith said:
single mic your drums......... omg..... avoid that at all costs

if U have 2 mics......... 1 on snare other on kick

but single micin the drums would be a very bad idea...... more mics the better for drums(to a point)

Sabith

Man, narrow mind, be creative with what you have. I must admit though, one dynamic mic would be difficult, but with creative mic placement and a good sounding room 1 condensor could shock you!
 
hmmm

should I get a distortion stomp box or a multi effects processor or a vocal processor from boss?? I wanna know which one is more worth it probably.
 
dmuzz said:


Man, narrow mind, be creative with what you have. I must admit though, one dynamic mic would be difficult, but with creative mic placement and a good sounding room 1 condensor could shock you!

Hey, I'm not narrow minded......... I just said try to avoid using only one mic...... I didn't tell him not to bother. I was re-inforcin the point because he's puttin this CD out to help his band get discovered, and a drumsets that are recorded with only 1 mic don't always sound that great. He's also just begining at recording, so usin a few extra mics would be an easier way to get a better sound. Plus he probably doesn't have good referece monitors to tell which mic placement is actually the best.

Dmuzz, don't go takin needless shots at people.

Sabith
 
multiple mics?

with multiple mics, how do I stick em all into the computer? A Splitter?? or microphone mixer?
 
Re: multiple mics?

musicsdarkangel said:
with multiple mics, how do I stick em all into the computer? A Splitter?? or microphone mixer?

You will need a soundcard with more than just a stereo L/R input like the Midiman Delta 44 or 66 with 4 ins, or the 1010 with 8 ins. You will also need a mixer in order to get a preamp for each mic.

Lots of other companies make multi in/out cards as well.
 
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