Thanks Kelly. Hey, I got sideburns!! Analog ones. Warm and fuzzy.
Elle wrote:
Vocals need to be brought forward, not louder, but sounding seperate from the background .
How might you do that?
Hi David. Thanks a lot, man, I really appreciate it.
Hi Gag, thanks a lot. I don't mind people being anal with what they hear is wrong or don't like. It's great to get that feedback. Will definitely use what people say for trying to improve the mix, (including trying to make the snare have more snap!)
Hi Keijo, thanks!!
I'm pretty convinced by everyone's comments that the backgrounds are too loud, and the lead needs to come up!!
Hey Virtual Samana, thank you. Yes, just overheads on the drums. I was trying to go for a sound like The Beatle's song Glass Onion, which, for some reason, I thought this song was kinda like in some ways, but the drums didn't really turn out like that. The lead vocal was recorded with a number of different mics, which sort of added to the difficulty of making it all work together. I used a Rode Classic ll (borrowed), the TLM103, and the bridge is the Rode NTK. I was going insane trying to get a setup that would work on raspy type singing, which I love (I may have ruined my girlfriend's voice, making her sing that way

), and the TLM was not helping at all. The flange effect, I don't know what that is, that must be mp3ing or something. As far as whether she has any sisters, she's got a million, but, believe me, you don't wanna go there!!!
The rig: Epiphone Casino,
Vox AC-15 (borrowed), Trace Elliot Vellocette, Fender Jazz bass (Korean, I think, but not bad),
Martin DM acoustic, Brent Averill API, Distressor, Emu Paris, Waves Ren plugins, Gigasampler, Alesis QS8 (which I hate!!), Yamaha Stage Custom drums with a Slingerland maple snare (cheap, but pretty okay.)
Thanks again,
Macle