PHILANDDON said:
Recording voice and acoustic guitar.....old time country style......anyway, suffice it to say that I've been convinced by this thread to stay away from that Summit Audio unit. Thanks for the replies.
I don't think I'd recommend the 101 for that. The 101 is very glassy, transparent. And if you want any kind of "old time" sound, you're not going to get it from the 101.
I'll give some some recommendations in various price ranges.
Rane MS-1b - about $150. Surprisingly good preamp, especially for acoustic gtr. Has similar characteristics to the John Hardy M-1 - to the point that I've dubbed it a Jr. John Hardy. The MS-1b rolls off around 50Hz - which is fine anyway, since you're not recording bass or kick drum with it. And while it's not quite as full as the M-1, the MS-1b will give you a good 60-70% of the sound of an M-1 on acoustic gtr and vocals. *Add an RNLA in the chain as an option.
FMR RNP - around $475. Good dual, preamp/DI for the money. One of the few mid-level units I recommend. [ the 101 is another one, but not in this case.] The RNP has a slightly vintage sound with a little bit of color. Nice, airy high-end. *Add an RNLA in the chain as an option.
John Hardy M-1 - around $950 - IMO, one of the best preamps for acoustic stringed instruments - especially if you're tracking any kind of music in the neighorhood of bluegrass, folk, Americana, traditional country. If you want a preamp for life, the M-1 is a good investment. *Add an RNLA in the chain as an option.
*The FMR RNLA - around $225 - is a limiter that has some color. Running through any of those preamps into the RNLA will give you more "old time" vintage flavor. You'll also have more options on the amount of gain you use on the preamp - giving more sonic versatility - if you run it into an RNLA.
My 2¢.